As we to are consumed. . . – Anime Critique: Tokyo Ghoul √A

tumblr_nhvkj43FWj1rzlvy0o1_500Title: Tokyo Ghoul √A (Tokyo Ghoul Root A)
Format: TV anime
Genre: horror, psychological, action
Series Creator: Sui Ishida
Series Director: Shuhei Morita
Studio:
Series length: 12
Original Airing dates: January 8, 2015 – March 26, 2015
Reviewed format:


Synopsis:

Kaneki has been broken by Jason’s torture, reverting to a feral mentality before devouring large parts of Jason. After rescuing the friends sent to rescue him, Kaneki leaves Anteiku (Antique) to join with the enemy, Aogiri Tree. Why has Kaneki suddenly abandoned his friends, both human & ghoul alike? Why did he join with those who conspired to have him tortured & killed? Did Aogiri Tree’s torture kill the person Kaneki once was or does he have his own motivations for joining with them?


Critique:

Just going to get this out of the way first by talking about the last (episode & series’ critique): Tokyo Ghoul has a terrible problem with endings. It either ends in the wrong spot or just doesn’t end properly. Case in point being, that the first episode of this series should’ve actually have been the last episode of the 1st series & the last episode of this series gives zero resolution what-so-ever to the events of TG√A.

Now, one reason for this is that the franchise has become a huge money spinner, with several manga & Light Novels out now & a sequel manga currently in print, so they are trying to milk it all for what it’s worth. Unfortunately this means there is a cop out with the ending which throws us (unknowingly) into a Time Skip in the coda.

The other issue, off the bat, is that the series doesn’t actually go anywhere & is fairly muddled in it’s arc & motivations.

It doesn’t know where it wants to go or what questions it wants to answer, so it sets up all these threads without heading towards any resolution. This is especially true as to Kaneki’s motivations for joining Aogiri, the other half ghouls who appear & are never mentioned again & the motivations of the One Eyed Owls.
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This in & of itself isn’t a terrible thing, because everything that made the last series great still remains, but if you made the mistake of reading the manga, you’re going to be very very disappointed with the direction the anime went.

The two media forms are different during the first few mini-arcs that comprised the first series but they are nothing alike once Kaneki is captured by Aogiri Tree. This at least means that you get value in watching one & reading the other but it also means that they insert characters & ideas into the anime that they have no intention of resolving -primary to this is the notion of the half ghouls & their creation.

Yet, despite the muddled & unresolved nature of TG√A, I genuinely enjoyed it as a whole.

This is because it still resolves around the idea of what makes a human.

Is it simple biology or is it something deeper within the soul -like grief, compassion & love?

If that is true, than many of the Anti-Ghoul Investigators are no longer human because of how they revel in killing ghouls. Whilst many ghouls are more human because, despite their predatory natures, bond with each other & do everything to protect those whom they perceive as family.

At this intersection stands Kaneki. Who has been transformed -physically & psychologically since the last series.
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After being shown the horrors capable by those who possess power (both on the ghoul & CCG sides), he knows that he needs greater strength in order to protect those whom he cares about but staying by their side will result in them all getting hurt by those who seek to use him for their own ends.

This goes some way as to why he joined with Aogiri Tree, despite all Anteiku ghouls risked to rescue him. That is because Aogiri Tree are the means for him to get stronger as he devours other ghouls (a taboo in ghoul culture as well as being basically disgusting due to the taste of ghoul flesh to a ghoul) but because if he sides with them, Aogiri tree no longer have a reason (at least in his mind) to battle Anteiku.

Yet, muddled motivations are the order of the day, as Aogiri Tree go out of their way to send their grunt members to die in useless attacks against CCG facilities, such as the ghoul super-prison, but once that’s done, the ghouls whom they release are pretty much never mentioned or seen again. Same as the spectre of Rize -the ghoul whose organs inhabit Kaneki’s body. So many ghouls smell her on him & are driven into a frenzy to kill Kaneki but you’re never told or shown why Rize is so hated/lusted after by so many different ghouls all over Tokyo.
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At least what is made clear is the development & motivations of some of the other characters, who had kinda been shunted off to the background for a bit in the last series.

You really get to see the lives & histories of some of the CCG members & why many of them have such incredible hatred of ghouls (usually involving friends & family being murdered by them). Amon’s background gets fleshed out, when it’s revealed that he was an orphan in a Catholic orphanage but instead of being molested by the head priest, the head priest was actually a ghoul who ate the other orphaned children but spared Amon for some unknown reason. This gives background to why Amon is so fixated on destroying ghouls who kill parents, wilfully ignoring that he’s destroyed entire ghoul families himself -which then creates ghouls who are more vicious towards humans for having their parents murdered by the CCG.
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The twisted little stitched up freak Juzo gets a lot more development; being shown as once being an orphan who was adopted by a female ghoul who used to torture him so he’d kill humans for her as part of the gourmet rituals (that we saw in the first series with Kaneki being a potential victim). He was broken over & over again but was eventually rescued by the CCG, who saw the potential in his talent for murder. He ultimately seeks a parental figure, whom he finds in Shinohara, who treats the fucked up boy with genuine affection despite him being so mentally unbalanced.

We’re also introduced to some new characters this season. Such as Mado’s daughter, Akira, who is every bit as efficient & driven as her father but not as twisted in obsession. Yet she’s lacking in any true emotion, instead preferring to act like a machine & keep her co-workers at a distance. Naturally, this means Amon, who feels responsible for her because he was her father’s last partner, tries to get close to her but she still blames him for her father’s death, so their relationship exists in a form of impasse where they don’t know how & what they really feel for & about each other.

This exploration of character & motivation is great, even if some of it doesn’t go anyway, but what is ultimately rewarding is seeing the original nature of some of the characters whom you thought that you knew.

My favourite being the Anteiku ghouls Enji & Irimi.

Enji is often seen as a useless braggart, claiming that he was once referred to as “the Demon Ape” but is often fobbed off by his colleagues as being an idiot. In the final arc of the series, it’s shown that all he said was true & he more than lived up to his reputation for brutality.

Same with the older sister figure of Irimi, who is often seen as a mentor to the younger female ghouls but was once the most brutal & cold hearted ghoul leader, Black Dober (as in Doberman but is more of an Egyptian jackal in mask shape).

The contrast between these two periods of being is held together by the extreme contrasts in the personal history of their manager & leader, Yoshimura, from whom almost the entirety of events within both series first came.

You also get introduced to other random ghouls & CCG characters, many of whom work amazingly well on screen despite having such a short time upon it. This just shows the power of the writing & performances as well trying to give each character a sense of action & presence upon the screen.

The visuals remain amazing & vibrant but the broadcast version still has the heavy darkening censorship to obscure the scenes of extreme violence. Despite that, the series does well with its visual allegories to bring contrast & juxtaposition of states of being for the characters as well as the under currents of their mental states. He action is also crisp & sharp, never leaving you wondering what’s going on -even when intentionally obscured. This is proved in the final all out battle of the last few episodes, where the screen is cluttered with action but is never as muddled as the plot.

Again, this is a brilliant & well rendered series that still suffers some annoying faults in terms of motivations & narrative but it’s still worth watching. The lack of closure & direct implication of there being a series (which will be called Tokyo Ghoul :re after the Time Skip manga). The juxtaposition of the anime with the manga is still fitting & they are rushing both out for official Western release, so you have no excuses to avoid either -unless, of course, you’re being eaten by a ghoul or something.

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