Dystopia Denied – Dystopian Narratives in Anime conference paper (video)

& now for something completely different. . .

The following is a video of a conference paper/academic lecture given on the dystopian narrative in anime, highlighting trends over the past 4 decades.

The lecture was given as part of the University of Tasmania‘s Unnatural Futures that was held on the 3rd & 4th of July 2014.

Unfortunately, due to issues with YouTube, the audio quality in the embedded video is pretty poor (the raw video is fine), so you will have to turn your speakers up a bit. The speaker also does talk very fast & with a mild lisp but does it completely off the top of his head (possibly the only conference speaker who didn’t use notes at all but didn’t see all of the presentations due to many of them them going on simultaneously).

If this video & idea proves popular, I may ask this speaker & others to do more direct to camera lectures/presentations.

The conference’s promotional poster

 

As always, feedback & responses are appreciated.

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The Kick That Never Came – Anime Critique: Isshuukan Friends

mpage001Title: Isshuukan Friends (One Week Friends)
Format: TV anime
Genre: slice of life, romance, drama, tragedy
Series Creator: Matcha Hazuki
Series Director: Tarou Iwasaki
Studio: Brain’s Base
Series length: 12 episodes
Original Airing dates:
Reviewed format: high def download with fan subs


 

Synopsis:

High schooler Yuki Hase notices that his classmate Kaori Fujimiya is always alone and seemingly has no friends. After approaching her and becoming acquainted, Kaori reveals that she loses every memory of her friends each Monday. Despite learning this, Yuki endeavors to become her new friend every week.


 

Review:

There is an old saying that goes “the worst kick is the one that never comes”.

The basic meaning of it is the more you dread something bad coming, a kick or other such physical assault if you will, the worse it will be in your mind than the actually reality of it because the fear & expectation has made you build up something far more torturous (more torturous than my allegories to be sure).

This is the pall that hangs over Isshuukan Friends.

The constant dread that you are going to be hit by something monumental emotionally painful yet, it never comes, making that dread all the more worse.

Although that might be my expectations from watching anime that delights in really kicking you in the guts once you think you’re going to be blessed with Sweetness & Light.

The reason you are waiting for this phantom kick is from the central conceit of the series, that being amnesia. A very old chestnut indeed in terms of media tropes -especially in Japan- yet within Isshuukan Friends it stems more from plot driven psychological & physical trauma then some mere need for a character to begin as a Blank Slate.

The major praise that one can give this series is that it attempts to handle such a fanciful contrivance as emotionally realistic as they can -without the central idea feeling too contrite or merely there to heighten the drama or emotional reactions from the audience.

Yet you do not come here to see praise painted upon the page, so I shall return to the (fairly bitchy) critiquing.

The plot of the series revolves around Hase Yuki’s relationship with Fujimiya Kaori, who is the quiet withdrawn girl in his class. He initially approaches her so to get to know her but she coldly rejects his offer for friendship. He is persistent in trying to get her to open up to him so it is soon revealed that Kaori loses her memories of people whom she considers friends every Monday when she wakes up -the exceptions being her family & people she is merely acquainted with. Despite this handicap, Hase persists in trying to become friends with Fujimiya, starting each week with the question “Will you be my friend?”

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When I 1st heard Hase vow that, I was worried it the story would turn fairly stalkery & possessive but it only turned mildly stalkery. Narratively, it is understandable that Hase gets jealous when the formerly cold & quiet Fujimiya starts to open up to others in their class -mainly through the intervention of ditzy pixie Saki, who wants the responsible Fujimiya to baby & look after her because she (Saki) has issues with her own memory (in that she is forgetful).

After watching the 1st couple of episodes, part of me wanted to hate this series -mainly because it kept refusing to go dark like I thought it would- but also because it is so awkwardly cutesy.

All the characters -but especially Fujimiya & Hase- looks as though they are sponsored by a rouge producing company (the makeup, not the D&D class, you bloody dyslexics). Always with red blush patches under their eyes.

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The general art syle & design is light & cutesy too. Skipping a lot of the more moé & sexualisation tropes. More focussing on a sweet kind of soft cute in the characters. In fact, unlike other series this season, there isn’t anything remotely close to a tit or panty shot. Some of the usual awkwardness after falling leaves characters in compromising positions but this is quickly glossed over with humour rather than used to demonstrate masculine dominance, reward the male gaze or a let a protagonist get a quick grope in.

Yet, despite the cutesy looks & lack of narrative darkness, the story is actually pretty good & emotionally mature. In that it’s people reacting to a difficult situation as well as failing to voice their concerns or wishes out of fear of misunderstanding or hurting those around them. So, it follows the standard forms of Japanese dramas, with the inability to communicate less it destroy consensus society as a whole.

isshukan-chara

Nevertheless, Isshuukan Friends does handle a lot of the drama in a respectful & grownup fashion, even though it shows some weird relationship tropes. Such as Fujimiya making lunch for Hase everyday & only allowing him to talk to her outside of the class (such as on the roof at lunch) because she doesn’t want bad rumours to spread about him. That bullshit is stopped with Saki’s spoiltness meaning she just speaks to Fujimiya whenever she wants to & isn’t perturbed by her memory loss -Saki thinks its similar to her absent mindedness. Fujimiya & Hase also develop ways for Fujimiya to deal with her memory loss, such as getting her to keep a dairy so she can keep track of events & drama comes along in one episode when she accidentally loses her dairy as well as the poster on her reminding her to read it every Monday yet she lost it on a Friday, so found it odd she didn’t realise it was gone over the weekend when her memories were still intact.

Each episode follows a basic formula of a week in the life of our protagonists as they struggle to deal with Fujimiya’s ongoing condition, Hase’s feelings of helplessness & selfishness at the situation as well as interactions with other characters & Fujimiya slowly opening up to those around her & not being afraid to make friends. Some edges appear, when classmates believe that Fujimiya is dating Hase’s best friend, the cranky & taciturn Shogo, & say nasty things behind her back (yet within earshot); Hase has to also overcome his feelings of jealousy towards Shojo for becoming friends with Fujimiya & the chance of losing her.

True drama comes late in the series with the appearance of Fujimiya’s former childhood friend, Hajime, who moved to Hokkaido with his family at the same time as Fujimiya began to lose her memories. When her remembrance of him causes her memories to completely reset, so she forgets everything that she had build up until that point & Hase to almost abandon the friendship out of frustration. When that moment comes along, there is no longer an expectation of a kick or anything else apart from a quiet resolution. Tensions remain between the two protagonists for the last few episodes after Fujimiya starts to build herself back up to how she was before Hajime arrived but that’s mainly from everyone learning the cause of Fujimiya’s amnesia (stems from a form of bullying from her supposed friends at a young age) & Hase’s fear that he might cause it to happen again. But mostly the tension in the last few episodes comes from the fact that the protagonists -& anime characters in general- can never express their love without being pathetically awkward or borderline retarded.

In the end, this is a light teen drama that deals with a difficult issue in a mature & responsible way. It has some humour & cuteness but doesn’t kick you when you are down. Your response to it depends on how much you personally engage with the genre &/or subject. For my part, I found it enjoyable & a pleasant balm to the hypersexualisation of other series that I shall be writing about over the week (or just copy pasting random complaints about hypersexualisation in other series) but each to their own. I do hope that you, the reader, take the time to watch the series & take from it what you will.

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