Not sure whether to be joyous or offended – Anime Critique: No Game No Life

no-game-no-life_oTitle: No Game No Life (NGNL, Noge Nora)
Format: TV series
Genre: fantasy, satire/parody, comedy, ecchi
Series Creator: Yu Kamiya
Series Director: Atsuko Ishizuka
Studio: Madhouse
Series length: 12 episodes
Original Airing dates: April 9, 2014 – June 25, 2014
Reviewed format: high def download with fansubs

 

 


Synopsis:

“Siblings Sora and Shiro are inseparable, both in the real world and in the game world. Their individual skills combined make them an invincible team: Sora, with his astute intuition and penetrating insight; and Shiro, with her remarkable intellect that goes beyond prodigy-level genius. In the real world, they are hikikomori, reclusive and unsocial, but in the game world, the siblings together form [ ] (Blank), a mysterious group of undefeated online gamers who win every game they play with unbeatable scores. Because the account names of the players are always left empty, they become simply known as “Blank”. One fateful day, after beating a mysterious challenger in a game of online chess, the siblings receive an offer from their opponent to be reborn in his world, Disboard – a fantasy world where everything is determined by games. When they accept the proposal, Sora and Shiro are summoned to Disboard by that world’s God, Tet, who they discover to also be their former opponent. Together, Sora and Shiro begin their journey in redeeming the weak human race of Imanity and conquering the world to challenge Tet for his title of One True God.


Review:

There is a bad habit in many subcultures to lap up any mention from more mainstream forms -be it positive or negative- as well as lose one’s mind whenever a reference to something that we adore/worship/participate in is shown or mentioned within various media. Often such flashes are negatory in one’s favour yet one does love to have one’s passions & existence acknowledged by greater beings, do we not?

Visual media also loves throwing in as many references & acknowledgements as they can be they intentional or craftily snuck in & we consumers do love our little Easter egg hunts? Go on. Admit it. You look for them all of the time. As both a challenge & as a way to prove yourself superior in some petty fashion. There is no shame in such a thing –we all do it, after all.

Yet this is probably why, in the end, I felt myself a little ambivalent towards No Game No Life.

Because it praised us nerds, geeks & gamers with one hand -showing us as clever, resourceful & deep down well meaning people- & mocked us with the other -displaying us as socially dysfunctional perverts who cannot cope within a game in our hand or a pair of tits to stare all.

It attempts to pander too much to both sides, showering kudos & contempt equally.

Yet, it is not entirely without its merits.

Some reviewers have already praised it highly, even calling it “a must watch for any gamer” yet, as I said as a few lines above, it reeks to I more of pandering then any genuine affection for its greatest audience & consumers. Gamers & the socially inept have always been fair play for ridicule in media but at least NGNL attempts to be even handed.
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This is done through the stepsiblings, Sora & Shiro -who are collectively known in the gaming & online worlds as Blank. The undefeatable team who can destroy even the most skilful hacker or cheater with seamingly the greatest of ease. That is because they believe themselves to be a single unit, with super genesis Shiro masters games like chess & FPSs & all that comes with such intelligent or tactical games whilst the older sibling Sora uses his masterful understanding of people to use bluff, cheat or know when others are cheating. But they are both broken by their talents, scorned & ridiculed by their peers, so they locked themselves up in their room to play games all day. That is before the god Tet takes them from our world to the land of Disboard, where games rule & murder can never be committed.
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This is actually an interesting conceit because it establishes that Disboard is defined by 10 Commandments set forth by Tet that can’t be broken yet can be subverted. Such as the rule about cheating, where it doesn’t say you can’t cheat, just that you have to face the consequences if you’re caught doing it & it can proven. The Commandments hold everything in check & about Blank to push their plans forward by exploiting & obeying the rules as well as learning how others do the same.

Yet the trouble with this is that when they try to explain the rules for a wager or game & they flash by too fast or are stuck in a bunch of untranslated text (or the text is translated but that translation fucks with your video player something chronic!). It’s annoying that rules that are pretty bloody vital to the plot are rushed by; possibly so you don’t see any holes them or so you don’t try to guess how Blank will win.

My other major issue with the series is. . . Can you guess? Can ya? Can Ya? CAN YA?!

YEEEEEEEEEEEEEES! IT’S HYYYYYYYYYYYYYYYYYYYPERSEEEEEEEEEEEEXUALIIIIIIIIIISAAAAAATION!!!

This time perving on a fucking 11 year old (Shiro, who isn’t actually fucking but I can never go past a chance to swear. . . prick).

I honestly don’t mind that she’s rendered painfully cute, with a mouth too small & eyes too big even for anime standards but there must ALWAYS be a line drawn when you draw an 11 year old semi-naked (& fingers should be broken for drawing a naked 8 year old with a fluffy tail!). All the major female characters other than the one time antagonist Clammy are hypersexualised & the reason Clammy isn’t is because she’s mocked for having no breasts & using magic to make it seem otherwise during on of the many bath scenes.

Both Shiro & Sora share a perverted natured, as does the violent angel (Flügel) Jebril. Their usual victim is Steph, the granddaughter of the former king of all Imanity (Disboard’s name for humans) who is depicted as clever in terms of running the day to day functions of a kingdom but terrible at games, losing to Clammy before Blank take the crown away from her. The sight of Shiro wearing Steph’s panties on her head whilst making her act like a dog is monstrously disturbing, more so because Shiro acts so cute & innocent most of the time.
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I could beat the Hate Drum a bit longer, but I won’t.

Visually, this series is stunning. Incredible use of light, colour & fantasy settings as well as interesting (yet hypersexualised) designs on many of the characters. Because there are 16 races (equal to pieces on a chessboard), they each have to have very individual designs & they do stand out well. The elves are generic with blonde hair & pointed ears but the Flügel with their wings & halos are pretty awesome; whilst the werebeasts are your standard anthro-beings, which is played up for laughs with Sora -the virgin- wanting to conquer them so he can have a harem of cat & bunny girls.

The relationship between Shiro & Sora is also exceptionally well rendered. With each having absolute faith in the other & going catatonic if they are out of visual range for too long (which is actually genuinely funny). They also back each other up in games & contests when the other is lacking & transfer this knowledge to real life activities -such as running a country based on pacifist route in Civilisation. Even when they are backed into a corner by an opponent, they always rely on & trust each other utterly; drawing upon that the strength to win.
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The series also ends on a vexing note of noncompletion story-wise. Just leaves things open to a possible sequel series, which I’m not sure has been announced (unlike other 12 episode series from this season).

Despite how much this series gives with one hand & takes with the other, it was genuinely entertaining & fairly original in its story. There were some exceptionally clever bits as well as well done reference gags (even more than a few quick obscure ones). It is designed for nerds & gamers, especially in its sexual pandering, but it still mocks the culture that supports it. If you can forgive it that trait, you will probably take a lot of joy in the Easter Egg hunts as well as the clever solutions to the games through the series. Although if you enjoy the sexualisation of Shiro & Izuna, I’ve got a couple of bricks that I want to introduce you to!

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The H Hides the Greatness – Anime Critique: Horizon In The Middle of Nowhere (series 1 & 2)

horizon-in-the-middle-of-nowhereTitle: Horizon in the Middle of Nowhere (Horizon On The Middle of Nowhere, Kyokaisen-jo no Horaizon, Horizon On The Borderline) [series 1 & 2]
Format: Blu-ray
Genre: sci-fi, ecchi, comedy/parody, fantasy, action
Series Creator: Minoru Kawakami (original Light Novel)
Series Director: Manabu Ono
Studio: Sunrise
Series length: Two 13 episode series
Original Airing dates: Series 1: 2011; series 2: 2013
Reviewed format: Blu-ray release through Madman


Synopsis:

In the far future, humans abandon a devastated Earth and travel to outer space. However, due to an unknown phenomenon that prevents them from traveling into space, humanity returns to Earth only to find it inhospitable except for Japan. To accommodate the entire human population, pocket dimensions are created around Japan to house the populace. In order to find a way to return to outer space, the humans begin reenacting human history according to the Holy Book Testament. But in the year 1413 of the Testament Era, the nations of the pocket dimensions invade and conquer Japan, dividing the territory into feudal fiefdoms and forcing the original inhabitants of Japan to leave. It is now the year 1648 of the Testament Era, the refugees of Japan now live in the city ship Musashi, where it constantly travels around Japan while being watched by the Testament Union, the authority that runs the re-enactment of history. However, rumors of an apocalypse and war begins to spread when the Testament stops revealing what happens next after 1648. Taking advantage of this situation, Tori Aoi, head of Musashi Ariadust Academy’s Supreme Federation and President of the student council, leads his classmates to use this opportunity to regain their homeland.


Review:

On paper, Horizon In The Middle of Nowhere (wrongly called Horizon On The Middle of Nowhere on the blu-rays that I have), is a series that I should utter despise because it is full of beyond hypersexualised Fan Service, sexual molestation, strong nationalistic sentiments & revisionist history. Yet this is one of my favourite series of the past decade. In fact, I’ve watched both series over 4 times & purchased the blu-rays as soon as they were available.
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The first thing you will notice & have to get past when watching this series is a pretty big thing to get past. That is to say: Oppai. Breasts. Bosoms. As a critic greater than I has already said: Stonking Great Tits!

The majority of the female characters do have Mammoth Jugs & those that don’t have emphasis on other body parts or jokes made about their lack of bust.

Yet I couldn’t hate the series for that because it is so over the top & outrageous that their bodies couldn’t really be sexualised despite some of the animators best efforts. & the hyersexualisation plays strongly into the humour & male characters are punished for their perverted habits (especially the central protagonist Aoi Tori). Everything is so beyond the Proverbial Eleven that I refuse to take any of it seriously & that’s pretty much the intention of the series as a whole. For all the seriousness of it, it’s still immensely silly & that’s why I love it.

At first the plot & background is very dense & hard to get through, with tons of unique phrases & ideas thrown at you without explanation but if you ride it out & accept what they’re saying most of the terms are explained in the end (or the subbers put in dodgy explanations on the top of the screen). A lot of these terms are mixes of various languages, with lots of Japanese-English thrown in (especially Tori’s non sequiturs) But also consist of a bastardised Latin & Classical Greek from old religious terminology. Again, it’s easy to pick up on what these mean in the subbed versions but the English dub is so poorly handled that it will all go over your head in that version.
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Despite the denseness of terms & narrative history (all hang ups from its Light Novel origins), the series itself is fairly light & fast paced. That is not to say that it lack impacts but is light in terms of movement, with lots of flitting & jumps but without the confusion that happens in so many other series. In fact, there are many running gags that go across both series. The humour is very much character based & there are lots of characters to look at.
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Usually this would be a negative in any series but each character is so clearly defined in terms of appearance & personality that you never get confused over who is who, what their roles & abilities are & what are their quirks & relationships to others within the cast. There are lots of fast gags based upon characters reactions to each other -such as dealing with Tori’s apparent stupidity or the rest of the cast calling Shirojiro a scumbag because of his obsession with money. Even though you don’t get to spend a lot of time with many of the characters, when you get character development it is handled exceptionally well.
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The greatest example of this is the central protagonist Aoi Tori, given the nickname “Impossible” by the Testament Union because they believe him to be utterly useless -which is why they gave him a position of great authority within the City-State of Musashi. Yet Tori is the perfect example of an Ironic character (based upon the classic Eiron model) because, despite his surface of utter stupidity, he displays a deep level of cunning, understanding & ability that means he can overcome his opponents in the least likely of ways -such as tricking Honda Masazumi (also called Seijun by her classmates) into arguing for his side during a debate battle. Even at first his goals seem shallow -to confuse his love to the girl whose death he blames on himself- but he actually has deep, long term goals that he’s ben building up to for years & was given the catalyst to chase when events larger then himself occurred -such as the Lord of Mikawa decides to disregard the Historical Recreation Program & bring about chaos so people can break free of ideology & fight the oncoming apocalypse. In fact, Tori is a great example of Confucius’ idea of the Superior Man who draws great people to his side.

This is actually a strong positivist theme within the series: that a person cannot achieve anything alone & must rely on those with talent & practised ability in order to reach their noble goals. This is something that Tori not only excels at by having loyal friends with unique abilities but he also has absolute faith in them & their abilities, vowing to take “everything that is Impossible” onto himself so people can achieve their heart’s desires. To this end Tori makes a Shinto spiritual contract where he can supply anyone fighting on his side with 1/4 of Musashi’s ether (mana) reserves, giving them basically unlimited energy, but the price he pays for it is if he is sad for just a moment he will be killed. Yet he takes this burden on for his friends & to reach the one that he loves & who stands parallel to him.
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This individual is the titular Horizon, whose soul was placed into the Automated Doll P-01s after her accidental death as a child. Being an Automated Doll (a form of gynoid) Horizon lacks proper emotions, mainly because they are all locked away in the series Macguffen, The Armaments of Mortal (Deadly) Sin, & her logical emotional stance of matters drives a lot of the humour & drama or both series. This is because she does what she believes is best for the good of al rather than what her personal desire dictates, which stands her in parallel (a strange debating style within the series) with Tori, who wants to restore her to her full self regardless of the consequences (basically sparking a world war).
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I do wish that I had more time to talk about the other characters but that will drag this critique out a fair whack. The majority of them get their time to shine, even if it is a single episode, but many have a chance to develop over the course of both series. The 2nd series mainly focuses on the ninja Tenzo, who is obsessed with busty blondes but is ultimately loyal & helpful towards his friends (& was one of Tori’s 1st followers due to Tori’s abilities to twist Tenzo’s personal perversions to suit his [Tori’s] needs). His arc is about him coming to realise that he has personal desires outside of his service to others & that he must follow his heart to save the one whom he loves. Other characters such as Suzu also get time to develop. She seems at first to be the typically timid stammering one whom everyone has to protect but she goes beyond that trope. Despite being blind, her other senses have been enhanced, giving her the ability to notice things before other people. She is also hopelessly in love with Tori but wants to see him happy with Horizon but its her love & devotion that allows Tori to be able to love & care for her back, putting his upmost trust in her when she lacks it herself.
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Other great characters include Tori’s loud, arrogant, abusive older sister Kimi -who may just be the most powerful character in the entire series & yet the kindest despite the abuse she doles out. The part wolf knight Nate “Argenté Loup” Mitotsudaira, who is also hopeless devoted to (& possibly in love with) Tori but does her upmost to serve him as she sees him as “her king”. Even the homeroom teacher Oriotorai Makiko (stupidly translated officially as Mrs O for some bizarre reason) is given a bit of screen time after her rampage in the 1st episode but not enough time is given to her deeper connection with all the mysteries within the series.

The enemies are also rendered interestingly. Not simply being cardboard cutout evil, they each have their own motivations & wishes to live up to the Re-enactments of History & being able to live up to their Inherited Names (people in this future take on the names & actions of historical figures in order to be as close to the original history as possible).

Unfortunately this does lead to my major issue with the series.

That is trying to place Japan as centrally important to global history & the ones with the power to save the world & future.

There is no doubt that Japan has some incredible history with incredible figures but it was (& in some ways still is) an isolationist nation who rejects foreign influence as much as it -as an extreme consumerist nation- craves them.

One of the main messages behind much of the series is to put Japan at the centre of world history, as an influencer & major player as well as saviour where in fact it had no role what so ever in these events. This happens with every form of national media (such as the US’ obsession with them saving the universe & now them as being the conquered underdog fighting against oppression for Apple Pie or some shit like that).

For me, this is annoying because I am programmed to pick up on agenda in media, so it kept slapping me in the face whenever they talked about it because it just plays to so many cultural superiorism tropes & traits. Again, this isn’t unique to Japan but once you study it academically it sticks out like the proverbial in a nunnery.

Though enough of the negatives.

Amongst the other positives are great action sequences, that both play with & parody Shonen fight scene tropes. Such as the fist fighter Noriki (one of the good guys) saying “If you knew that why did you explain it?” whenever an opponent expounds on one of his techniques.

The action sequences are also fast paced without being confusing. You are always aware of who is doing what on screen. Even in the hectic ariel battles -which themselves are parodying Macross style missile-hell swarms- are clean in terms of defining the actions involved.

Also, once again, we must address the elephant (or Mammoth Jugs) in the room.

This is pretty much the first anime series that I saw that stuck a huge pair of tits on not only one mecha but two. Also, all the female clothing is designed to show off breasts, hips, arse & public mound in ways that few other series dare to but it’s odd in the fact that they are just out there. There are no explicit panty shots or flashing teases, they were just out there. This isn’t a good thing but does numb one to what they are watching. At least in balance, from my tainted male perspective, it does balance out with the majority of the 2nd series having Tori running around entirely naked with no justified or explained reason. Yet that all plays into the humour & lots of gags revolve around peoples’ reactions to a naked Tori literally appearing out of nowhere.
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In the end, there are far too many positives to outweigh potential criticism from me.

Except for one.

One veeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeery big one (bigger than the boobs in the series).

& that is the lack of a 3rd series.

It may seem utterly petty but the ending of the 2nd series sets up for future series, by flashing to various new characters observing the ongoing conflicts & by the Automated Doll of Musashi saying that people should get ready for a continuing journey.

Because of strong sales of the DVDs/Blu-rays & the ongoing nature of the Light Novels, there is a very strong chance of more series to come -especially given enough of a gap between the different media forms that they aren’t have to chuck a Bleach or Naruto & put in entirely new stories with no relation to the main plot whatsoever!

If they do make a series, that would be bloody marvellous! If not, these two collection are still worth the watch.

Great pace, excellent characters & stupidly outloud laughing funny, please give it a chance.

So Cute It Hurts – Anime Critique: Acchi Kocchi

Title: Acchi Kocchi (Atchi Kotchi, Here & There, All Over the Place, Place To Place)
Format: Anime
Genre: Slice of Life Comedy, 4koma, romantic comedy
Series Creator: Ishiki
Series Director: Oizaki Fumitoshi
Studio: AIC (licenced by Sentai Filmworks)
Original Airing dates: April 5 – June 28, 2012
Reviewed format: blu-ray with fansubs

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Synopsis:

    “The serious-minded Io & the pure-hearted Tsumiki feel they never want to be parted, but haven’t become a couple yet. More than friends but less than lovers, they develop an awkward quasi-romance.

Review:

To begin, I must plead utter bias because this is one of my all time favourite anime series ever made. I’ve seen it four times since it first screened & cannot sing its praises enough to people. It was a series that instantly appealed to me because of my love for other similar series, such as 2002’s Azumanga Daioh & the K-On! Franchise. Both of which also started from the 4koma manga format (4 panel strip style comics).

The series focuses on a group of five friends -Tsumiki, Io, Mayoi, Sakaki & Hime- & their strange daily lives but this isn’t a show present in a realistic way. The art style is very much exaggerated, to emphasis the cuteness (moe & kawaii) of the characters & situations, with Tsumiki being presented with cat-like features -sprouting ears & a tail- to show her hidden emotions or Hime’s suddenly nosebleeds. The comedy is based a lot upon quick puns & the interactions of the characters, focussing especially on Tsumiki & Io.

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    Tsumiki is classified as a tsundere style of character -outwardly cold to hide her loving feelings- & the object of her affections is the kindly but often dense Io, who treats her in a friendly manner even though she wants more from him. Her inability to communicate her desires combined with Io’s failings to read deeper into situations leads to teasing down by the manic genius Mayoi & the mischievous Sakaki, who often receive physical retribution from Tsumiki for their efforts. She often gets into awkward situations trying to get Io’s attention or accidentally playing out something that she imagines but her feelings are genuine, as she just tries to be close to him, even if it causes their friends to tease them in a friendly way.

The other source of humour comes from well timed & placed running gags -such as Hime suffering from nosebleeds whenever she sees the psuedo-romantic interactions of Tsumiki & Io or whenever she sees something cute (such as Tsumiki in a costume or Io’s playing with a cat). Other running gags come from Io accidentally charming the female cast, often resulting in wide spread nosebleeds & fainting, or acts of (comically done) superhuman violence, often performed on Mayoi. The humour is designed to be fast paced but seldom going over the audience’s head (issues with translation & subtitle speeds not withstanding).

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    Other than the animation/art style, what truly makes this anime sweet & well done is how excellently all the characters are rendered. You know who they are quickly without them falling into tropes & cliches. Tsumiki is a loli-like tsundere without being rendered in such forms as other, more stereotyped characters like Louise from The Familiar of Zero or Aria from Aria the Scarlet Ammo. She often has cat-like features sprout on her & is rendered in a chibi fashion but is superhumanly strong & fast.
Io initially appears as your typical studious type, with his neat appearance & glasses, but shows many hidden physical skills & other talents -such as being an excellent pastry & sweets chef, skilful gamer & (unknowingly) charming to people whom he meets.
His best friend, Sakaki, is laid back but still sharp, able to pinpoint when Io is at his most dense in regards to Tsumiki’s affections. Whilst Mayoi, who is always seen in her trademark labcoat, is depicted as a trouble making airhead but is, in fact, a mechanic genius, able to create elaborate devices in short periods of time. Leaving Hime as a super average girl, who has trouble with technology & cannot perform the same superhuman feats as her friends, but has a sweet, caring soul which can be easily distracted by anything cute, causing a jet of blood to burst from her nose.
They are surrounded by an equally well depicted supporting cast, which includes Sakaki’s older sister, Miiko, who has floppy dog-like ears drawn in her hair & runs the cakeshop Hachi Pochi, where Hime & Io work party time, & carries dog themes through it.

The series ran for twelve episodes with an OVA released with the blu-ray collection & each episode is divided into two parts, A & B, with a special omake, called Acchi Kindergarten, at the end of each episode that also doubles as the next episode trailer (which is scrolling script along the bottom of the screen). Each scene or segment has special animations based around circles & arrows linking each other, which also serves to enhance the jokes or the running gags. The series, as a whole, covers the course of a year, starting & ending in winter & covering events such as Valentine’s Day & White Day (featured twice in the series), summer holidays as well as Christmas & New Years celebrations, with each episode being self-contained in each half but still continuing with gags & references from episodes that came before.

When comparing the anime series with the original manga, it is one of the few series that becomes superior to its original printed form. In Ishiki’s original 4-koma manga, the illustrations of the characters are exceptionally well rendered, often looking odd & amateurish, where as the anime gives them better forms & far more details -especially in Tsumiki’s cat-like actions. The manga has far more developed jokes & running gags, from which the anime only tends to use from the 1st volume (there 5 volumes published & the series is still ongoing), so I find it surprising that there still has not been a 2nd series with the amount of unused material that they have available.

Another exceptional part of the series is the incidental music by Yokoyama Masaru. It’s subtle and minimalist, using electronic (almost 16 bit) keys & instruments such as clarinets & acoustic guitars yet has its high energy moments when the scene calls for it. They are the kind of tunes that you can easily find yourself humming & they don’t overpower any scenes. Both the Opening & Ending themes are sung by the main cast saiyu.

There are only a few negatives that I can give this series & they are almost all to do with the subtitling & translations. I originally watched the TV broadcasts with the subs done by the Commie group but their lack of honourifics & explanations is exceptionally grating to me. The blu-ray was subbed by a different group but they had issues in regards to panels covering the between scene animations as well as the on screen text. The lack of closure on character relationship was also a vexing issue but excusable because of the ongoing manga. It is also my fervent wish that they make a 2nd series or movie but that is unfortunately unlikely at this point in time -despite its apparent popularity within Japan.

In quick regards to issues of Soft Power, this series is a god example of its possible positive uses because it doesn’t render the series as ‘culturally odourless’ & does retain many tropes, habits & visuals that can be called very Japanese. It does go through many of the cliched forms with the holidays & traditions but calls many of them to question, such as White Day, where men return the favour of receiving a gift from a woman on Valentine’s Day. Over all it plays to trope & cultural expectations within the media but doesn’t let itself be dominated by them. It also, surprisingly, lacks many other typical elements of the genre, such as references to the supernatural (such as ghost stories, even though it talks about fortune telling) or pandering to fan service. The female characters are cute but not sexualised, playing more upon the original form of moe. Most of the sexualisation is actually played upon Io’s character, with the female characters performing the traditional male reaction of bleeding noses & overheating from their desires.

Again, this is a series that I cannot recommend enough. It is so sweet & cute that it cannot help but make me smile whilst watching it. The rapid fire gags & strong visual jokes literally brought tears to my eyes but the undercurrent of the bourgeoning sense of a mature romance between Tsumiki & Io is portrayed in such a fashion that you can’t help but feel for them both. Especially as the dense Io begins to understand his own feelings. Unfortunately due to the manga still continuing, that part of the story was never drawn to a proper conclusion but it is forgivable due to the sweetness of the characters & the series as a whole. Acchi Kocchi is guaranteed to leave a painfully sweet smile on face & have you giggling ages later as you randomly recall a joke or visual gag. This is a series that I cannot get enough off & constantly find myself looking to rewatch when I want to take a break from other viewing. It may be too saccharine for some but it is perfect for me & that, in the end, is what counts.