Japan’s Two Favourite T’s: Trains & Tits – anime Critique: Rail Wars!

Rail_Wars!_light_novel_volume_1_coverTitle: Rail Wars! (Rail Wars! Nihon Kokuyu- Tetsudo- Koantai, Rail Wars! Japanese National Railways Security Force)
Format: TV anime
Genre: action, alt universe, harem
Series Creator: Takumi Toyoda, Vania 600
Series Director: Yoshifumi Matsuda
Studio:  Passione
Series length: 12 episodes
Original Airing dates: July 3 – September 18, 2014
Reviewed format: high def with fan subs


Synopsis:

“The series takes place in an alternate version of Japan where the nationalized railway system was never privatized. Naoto Takayama is an ordinary high school student who aspires to a comfortable life working at Japanese National Railways. He ends up working as a security force trainee, where he unwillingly has to deal with his strange colleagues and all the mayhem that they cause.”


Review:

Once again, off the bat, this series is for people who are obsessed with one or both of two things: trains & large bouncing breasts.

They can’t be escape in the series.

Always taking up the centre of the screen whenever they are show.

The only difference is that there are longer, more porno graphic linger shots of the trains.

That is not to say that breasts are also the entire central focus of series. It also shows arses, legs & hips every chance they get. Putting women in awkward, insipid, impossible poses -yet doesn’t go for any panty shots for some reason. Like after showing so much strange jiggle physics suddenly panty shots are beneath them.

It's like looking at a Lava Lamp.
It’s like looking at a Lava Lamp.

The whole excessive boobage/female body thing aside, Rail Wars! truly fetishises trains. With characters pouring out extensive details of their models, uses, origins, running dates & tones of other surplus information. It’s basically stuff that only s true train otaku could get &/or appreciate. I lived with a guy who really liked machines, engines & vehicles, so I learnt a bit about railways & trains from him but even the level of info that Rail Wars! pours out would be too much for someone of his incredible understanding of machines. More so that they are all Japanese trains & engines, going into the minute details of running -often making them vital plot points or easily seen twists. The creator obviously loves trains, as does the producer(s) & director of the anime.

Yet the series isn’t about anthropomorphic trains, like Thomas the Tank Engine with tits (although that may be an awesomely fucked up so to make!), there has to be actual human characters involved. & that is where my biggest gripe begins; this also being a harem series & all.

The thing to be said is: SATAN SAVE US FROM FECKLESS, IGNORANT, NICE GUY PROTAGONISTS!

They are so criminally the staple of harem (& most male centric) anime these days. I’ve already bitched & moaned about it in my Strike The Blood & Dragonar reviews but this time I’ll go a step further.

It is the Nice Guy Gets All The Poon Because He Is a Nice Guy trope that is pretty much creating generation of self entitled fucktards who think that they if pretend to be nice & do all the right things, women will sleep with them. It’s series such as this that has a hand in fuelling their pathetic delusions, causing them to turn into whinging little maggots online & then go attack anything with a vagina online to reinforce their fragile dissonant belief that the universe owes them sex due to some force, affected behaviour. Anyone who does this is scum! Anyone who uses it as an excuse to attack, threaten & belittle women -online or in real life- are worse then scum. & THEY’RE FUCKING TRILBYS YOU’RE WEARING NOT FEDORAS! LEARN THE FUCKING DIFFERENCE!!!

pant pant

Am OK. . . Am OK. . .

I’ll write more about that at a later date, so will continue on with the review now.

The feckless wonder at the centre of this story is Takayama Naoto, who has no less than 5 women eventually competing for his affection. With a possible 6th but she shows a more big sister approach to him & a lesbian-like relationship with the head of Railway Security.

the 3 other feckless wonders of the team: Haruka, Aoi & sho.
the 3 other feckless wonders of the team: Haruka, Aoi & sho.

The first 2 are his co-workers in 4th Guard Squad. Both polar opposites of each other & what they want from Takayama.

The first is the calm, quiet, highly intelligent Komi Haruka, who has supposedly carried a crush on Takayama since a chance meeting in childhood. She’s physically in the weakest on the team but makes it up for her exceptional knowledge of the technical aspects & designs of trains -especially the safety features of little known or older models. She also has the largest breasts of the main female casts, which seem to bounce free from gravity’s constrants.

Aoi doing what she does best: fucking up & hurting people.
Aoi doing what she does best: fucking up & hurting people.

Her eventual rival is the amazonic tsundere Sakurai Aoi. Her violent, impatient & overbearing nature often gets Takayama into trouble. She constantly berates him for not being a better guard because he wants to be a train driver but it is his unwavering nature to protect the passengers that eventually makes her turn her affections towards our inept hero.

Nao the idol, looking decent so you know she's going to be a bit of a bitch.
Nao the idol, looking decent so you know she’s going to be a bit of a bitch.

The other 3 include: a tsundere idol, Nao, who comes to love Takayama because he risks his life to protect her from a crazed fan; school friend & fellow train otaku Mari, who loves Takayama because of his passion for trains & his general niceness; & a female crossdresser whose name I forget right now, who falls in love with Takayama because of a mixture of why the other two aforementioned girls love him.

Naturally, Takayama is totally oblivious to how all these ladies feel about him, despite them being very very veeeeeeeeeeeeery obvious & open about it at times (especially Haruka, who’s always shoving her tits in is face). Of course, Takayama is always awkward & embarrassed whenever he is left alone with any of these ladies for more than a few minutes; blushing red like a baboon’s arse.

There is also a 4th member of the 4th Guard Squad: Iwaizumi Sho & he is, to put it lightly, a fucking idiot.

He’s also pretty much a non-entity during the majority of the series. He tends to stay in the background, say something stupid that’s related to food or being macho & then go off to eat or do something man related -or something macho that involves food. He only really plays part of the plots towards the end of the series, where he helps run a small proto-train with the rest of the team but nothing much beyond that.

The series as a whole doesn’t go much on character or plot development. The basic plots revolve around some criminal activity around the trains & in areas easily reached by trains. It reeked a bit too much of the old Simpsons gag Knightboat (can’t find a video for it unfortunately). Yet it is logically, because a lot of it are terrorist or ransom demanded related to the rail system, which in this alt world was never privatised & stripped down. Making it carry an old sense of nostalgia for the railway & the type of crime that should go along with it. The only thing they didn’t have was a damsel tied to the rails but they did the rope would lift up her tits & she’d spout facts about the train that’s about to hit her.

As harsh as I’ve been in this critique, I honestly found it hard to hate this series -although that might’ve been the hypnotic nature of the jiggling breasts. Aside from the usual fan service sexualisation, there wasn’t anything really terrible about it all. It entertained well enough, didn’t drag along or make me want to throw something at the TV (too much, aside from the feckless wonder Takayama). It’s not the best series but it’s far from terrible. The animation, especially the trains, is exceptionally well done. The action scenes are all brilliantly rendered, with lots of nice details that come from the blending of traditional & CGI animation without any obvious clumsy seams separating the two. There are the aforementioned annoyances with characters & plot but nothing terrible or offensive (or terribly offensive). There are some logic issues but it all breezes by at a good enough pace that you don’t really linger on them too much, nor do they jar or break the flow of the episodes.

If you like trains, you’ll love this. If you like tits, you’ll enjoy. If you love both, you’ll be in One Hand Heaven.

Pretty much how train fetishists will react to the series.
Pretty much how train fetishists will react to the series.
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Lustful Lascivious Little Lolis – Anime Critique: Fate/kaleid liner Prisma Illya 2wei!

64175Title: Fate/kaleid liner Prisma Illya 2wei!
Format: TV anime
Genre: fantasy, magical girl, comedy, parody
Series Creator:  Hiroshi Hiroyama
Series Director: Shin Onuma
Studio: Silver Link
Series length: 10 episodes
Original Airing dates: July 9 – September 10, 2014
Reviewed format: High def download with fan subs


Synopsis:

Illyasviel von Einzbern is an ordinary elementary school student who becomes a magical girl when the magical Kaleidostick Ruby deems her a more suitable master than the sorceress, Rin Tosaka. Rin, who had been tasked by the wizard Zelretch to collect the seven Class Cards containing the spirits of Heroic Spirits from legend, finds that she is unable to change Ruby’s mind and must supervise Illya in completing the task of collecting the Class Cards. During Illya’s adventures, she receives a friend and rival in a girl named Miyu, the contracted master of the Kaleidostick Sapphire, which similarly abandoned its original master and Rin’s rival, Luvia Edelfelt.

After a series of battles, Illya and Miyu were able to collect all Cards and became good friends, while Rin and Luvia remained in Japan by the order of Zelretch. However, the appearance of Kuroe, a girl with a striking resemblance to Illya, soon complicates their lives as she attempts to eliminate Illya.


Review:

To begin with, it’s hard to criticise a series for (hyper) sexualisation when it’s a spin-off of an ecchi game/Visual Novel. Yet the original (& not terribly great) Fate/Stay Night anime wasn’t as sexualised as the Fate/kaleid liner Prisma Illya franchise is. What kicks F/klPI and its sequel series into low cheer is the hypersexualisation of lolis. I’ve already beat the drum over my extreme distaste for this with the previous season’s reviews but I just have to kick it again.

 PUTTING LITTLE GIRLS INTO SEXUAL POSITIONS, POSES, CLOTHING & VISUALISATIONS IS WRONG, DISGUSTING & PATHETIC! STOP PRODUCING PAEDOS & DEMAND FOR PAEDO RELATED MATERIAL, MEDIA INDUSTRY!

& don’t get on your high horses & say that it’s strictly a Japanese thing & we shouldn’t judge them too harshly for it. Have you seen Toddlers & Tiaras?! That shit makes you want to puke!

Anyway, anyway, the review, the review. . .

My general expression watching this series.
My general expression watching this series.

Fate/kaleid liner Prisma Illya 2wei! Is the direct sequel to last year’s loli-fest Magical Girl parody Type-Moon spin-off series, basically picking up right after the events of Fate/kaleid liner Prisma Illya. There are still many plot threads to address from the get go, such as Miyu’s true identity, but that is all put aside for the introduction of Kuroe (Clo in the fan-sub, short for clone) -Illya’s doppelganger who is an incarnation of the Archer Heroic Spirit (it all makes sense if you know the main Fate/Stay Night series & characters). At first, Kuroe wants to kill Illya so she can legitimise her own existence but, with props to the writers for this, it actually goes deeper than Kuroe merely being a doppelganger, being back connections to the original Holy Grail Wars from Fate/Stay Night & why that battle never occurred within the Fate/kaleird liner universe.

Type-Moon always interconnect their stories with transdimensional crossovers, with various characters having different connections or incarnations. It comes from their Visual Novel/video game origins to explain their multiple endings & how they can all be canon. F/klPI is deep within this but you don’t need a knowledge of the tie in series to watch it.

The other thing that F/klPI2 has in it is lots of underage lesbianism. Because in someone’s mind the only thing hotter than sexualisation underaged girls is making them perform homoerotic acts as well.

More of the yuri stuff is more connected with Miyu’s growing romantic attachment to Illya, her jealousy over little actions & wanting to connect more to her -not only as a fellow Magical Girl but also as a firned. Where it crosses the line is when Kuroe deep kisses the other female cast members to drain them of their mana so she can power herself (mana = life energy for her). Part of me things that I can ignore it because it’s played off for comic value (Illya’s friends angry at her because they think Kuroe is her) but when they show Kuroe really going for it on Miyu, I really had to fast forward.

If this gets you off, you're one sick twisted piece of shit!
If this gets you off, you’re one sick twisted piece of shit!

To be honest, the comedy stuff is what kept me watching (that & my pathetic addiction to knowing what happens in narratives & solving loose plot threads). They play off a lot of the comedy on altering or playing up certain character traits. Like Illya’s adoptive stepbrother’s ignorance of the women around him, Illya’s near yandere affection for him (especially in the face of Kuroe) & her extreme reactions to what her magical want Ruby makes her do.

The act of a extremely lustful loli.
The act of a extremely lustful loli.

To be honest: the majority of the plot is focussed on Illya trying to protect her everyday life. She likes being a Magical Girl but this series falls more into the Mahou Madoka style of making a Magical Girl’s life as brutal as fuck. The previous series dealt with the life/death struggle that people with power on a mission must endure, so this 2nd series falls more into the trope of protecting one’s everyday mundane life but also protecting those whom you love. This plays out in the last two episodes, where the brutally powerful character Bazett Fraga McRemitz is introduced & Illya realises what her real duty is. Fighting on despite being drastically underpowered.

Unfortunately, that whole plot point won’t be resolved until next year, when Part 2 of Fate/kaleid liner Prisma Illya 2wei! is released. Which is a bit of a pisser but they are supposedly combining it with plot elements of the ongoing 3rd manga series.

In the end, Fate/kaleid liner Prisma Illya 2wei! has its moments & its connections to the larger Type-Moon omniniverse is a nice hook but it pretty much is a series for paedos because of the extreme hyersexualisation in some scenes. If you have issue with that, well: Come At Me, Bro!

That being said: I will probably watch the 3rd series just to know how it all ends & the series overall connection to the Fate/Stay Night universe but part of me would rather just wait for the upcoming new Fate/Stay Night Unlimited Blade Works anime which is out later this year.

So, paedos & Type-Moon fans feel free to watch but the latter better not mix with the former less bad things happen.

FateIllya2wei1a

The Lolis of the Apocalypse – Anime Critique: Black Bullet

Before we begin with the critique, we’d just like to point out that this is our 69th post, so please insert childish Bevis & Butthead style laughter here.


 

Black_Bullet_Light_Novel_Cover_Volume_1Title: Black Bullet (Burakku Buretto)
Format: TV anime
Genre: sci-fi, dystopian, post-apocalyptic, action, harem
Series Creator: Shiden Kanzaki
Series Director: Masayuki Kojima
Studio: Kinema Citrus
Series length: 13 episodes
Original Airing dates: April 8, 2014 – July 1, 2014
Reviewed format: high def download with fan subs

 

 


 

Synopsis:

“In the year 2021, mankind is decimated by the epidemic of Gastrea, a parasitic virus, and is forced to live within the Monolith walls, which are created from Varanium: a metal that is able to subdue Gastrea. Soon, children who were born with the Gastrea virus and obtained superhuman abilities as a result, are discovered and dubbed “Cursed Children”. Due to the Gastrea virus’ intervention, the Cursed Children could only be female. Civil Securities are formed to specialize fighting against Gastrea, operating with the pair of an Initiator, who are cursed children, and a Promoter, serving to lead the cursed children. Ten years after the epidemic, Rentaro Satomi, a high school student who is also a Promoter in Tendo- Civil Security Agency owned by his childhood friend Kisara Tendo-, along with his Initiator, Enju Aihara, conducts missions to prevent the destruction of the Tokyo Area and the world.”


 

Review:

This is the last series of the previous seasons Loli-fest that sexualised massively underaged girls that I shall be reviewing & am glad that the trends of anime in this new season have shifted from the hypersexualisation of little girls to the hypersexualisation of teenage girls as they struggle to become idols (shudders).

Yet despite the loli (& general) hypersexualisation, I actually enjoyed this series (for the most part).

Either expressing her affection or sexual desire, hard to tell in some anime
Either expressing her affection or sexual desire, hard to tell in some anime

The main reasons for my enjoyment of the series is the plot & the characters. Unlike other drag-rush series this past season, Black Bullet actually progresses & develops with each episode. Giving you enough info about the events before the start of the series to understand the narrative universe but not getting bogged down in useless exposition. Unfortunately there are some illogical in the character development, which I shall touch on later, but the fact you have 3 clear arcs within the 13 episode time frame means that the series, as a whole, needs to keep moving & developing.

Like so many dystopian post-apocalyptic/post-disaster narratives, the story is both about restoring the social order in the face of the threat of an “Outside Other” as well as restoring trust & connection between individuals (for more on this subject, check out my lecture here). Yet Black Bullet is actually more focussed on using the latter to deconstruct the former.

The central protagonists have all have issues with loss, trust & how the world of their present wishes to be. The narrative drive is how these characters seek to overcome not only how they feel about themselves & those in their lives but to tear down the world that wishes to ignore & destroy those who protect them; preferring instead the safe peace of ignorance rather than acknowledging that they owe their lives to an army of mutated little girls & their (sometimes abusive) human partners.

The look of loli lust

The three centre protagonists -Rentaro, Enju & Kisara- are all broken in some way by the on going war with the Gastrea mutations. Rentaro lost his family in the first attack on Tokyo & was then adopted into the Tendo family, where he lost his limbs protecting Kisara from a Gastrea attack. During that same attack, Kisara watched her parents die, which caused so much stress on her body she suffered catastrophic kidney failure (which is odd but, hey, it’s fiction, right?), leaving her unable to do prolonged physical activity despite her high level martial arts training. Whilst Enju was born as one of the Cursed Children & abandoned in the ruins of old Tokyo before being dragged in to serve as Rentaro’s partner, leaving her with huge trust issues as at the treatment of other Cursed Children (she can hide the red eyes that give the girls away) by the rest of society as well as the constant fear that she could die from her Gastrea infection before she grows up.

Her boobs are just out of shoot but you know they are the focus of the scene
Her boobs are just out of shoot but you know they are the focus of the scene

It is this constant, pressuring knowledge that drives Enju to act; especially in regards to proclaiming her constant love for Rentaro, claiming that she’ll be his bride -much to his annoyance. This can be read as a way for her to push away the fear of her own mortality, as well as possess a shred of hope that there will be someone who won’t abandon her. Similarly, Rentaro is crippled by the dread of losing anyone, which makes him hesitant in his actions but eventually allows him to reach out to the other Cursed Children, helping them normalise their lives for the chance to be integrated into regular society without having to bare the stigma of their births. Whilst Kisara is consumed by the need to discover the truth as to how her parents could’ve been killed by Gastrea in a protected zone balanced with the need not put her beloved Rentaro at too much risk or lose him to her rivals in love -such as Miori, who isn’t shy in showing her affection for Rentaro.

black-bullet-01-large-41
Typical emotionally stunted shonen & affectionate loli in their natural environment

These personal drama are set against a larger socio-politic conflict that is common in post-apocalyptic reconstruction narratives. It’s mainly focussed on the issue of the public’s view of the Cursed Children, mainly mitigating the authority’s hatred & murder of them, as well as trying to reunify Japan from fractured city-states to a full nation once again. With many conspiracies & old hatreds lying hiding in the background.

As mentioned in the 2nd or so paragraph, there are 3 clear arcs to the series, each building upon the last (except for the 1st obviously, duh!). It is honestly refreshing for this past season to see a series so clearly sign posted for its intention for pushing the narrative forward & doing so without losing any character development or the external context, pressures & personal oaths/commitments.

The 1st arc focuses on establishing character & narrative context, where a rogue Promoter, Hiruko Kagetane, & his psychotic Initiator daughter, Kohina, steal a device that can summon the highest class of Gastrea, which can ignore the barriers & destroy all of Tokyo with an army of Gastrea drones as well as its own power. This arc allows Enju & Rentaro to come to terms with their position as Civil Security Agents, their abilities as well as working more smoothly as a team. It also helps Rentaro come to terms with the lose of his limbs & their replacement with special cybernetic technology, putting him on an even front with Kagetane -who is entirely augmented with cybernetic & military technology. The Hiruko pair are a dark reflection of Enju & Rentaro, a what could have been if Rentaro let his anger & thirst for vengeance get the better of him. In the end, turns out the summoning device was actually a bunch of kids stuff, deepening the mystery of the Gastrea.

He needs to wear a mask because he so ugly even yo mama wouldn't touch him!
He needs to wear a mask because he so ugly even yo mama wouldn’t touch him!

The second arc focuses more on Rentaro’s moral & social development, as he is made head bodyguard/security chief to the nominal head of Tokyo Area, the pale & mysterious, Seitenshi (not real name). Who wishes for freedom for the Cursed Children but is kept in check politically by Kisara’s grandfather, Tendo Kikunojo, who is also Rentaro’s adoptive father, the one who turned him into a weapon. The reason for Seitenshi so suddenly promoting, other then his defeat of the Hiruko pair, is because she’s meeting a rival leader of the Japanese territories, Saitake Sogen, an ambitious man who wishes to rule all of the island nation with an iron fist but one who Rentaro is personally familiar with, due to having meet him when he [Rentaro] was still a child. Whilst there is a genuine fear of an assassination of Seitenshi, Rentaro has more issue dealing with the power politics within Seitenshi’s palace, as her regular bodyguards are murderously jealous of Rentaro being given a position of privilege so close to their beloved (read in a stalkerish fashion) leader. Enju & Rentaro also finds that they can no longer turn a blind eye to the injustices set upon the Cursed Children, especially when Saitake leaks information to Enju’s school that she’s a Cursed Child, causing her to be removed & for her then to run away. Even whilst dealing with all that, Rentaro encounters new Loli jailbait, Tina Sprout, rendered in an overly sexualised way with lulled eyes & exposed shoulders (because loose women in Japan always show their shoulders, never understood that cultural hang up). But whilst she appeals to be utterly docile & helpless -Rentaro had to help her a few times- she’s actually a living machine weapon like he is, sent to assassinate Seitenshi on behalf of Ayn Rand (no, not that one even though she is evil enough to be a supervillain). There ends up being a pretty cool series of battles between the two of them, especially after Tina fucks up Enju because they didn’t know she was weaponised & when Tina tries to kill Kisara without knowing that Rentaro works for her (because she now wuvs him, makes it hard for her to explain things when she finds out). It ends with a cool action scene & Rentaro sparing Tina’s life because she is the tool for another but he ended up fucking up Seitenshi’s head of security because he tries to shoot a wounded Tina. Rentaro grows them big nutz & blows the dude’s finger clean off before demanding a better position of power from Seitenshi, which she agrees to because she wants to bang him like a screen door.

 

Now for the lazy lustful loli look
Now for the lazy lustful loli look

The 3rd & final arc is the most traditional in terms of an action series plot but still pretty good. A giant Gastrea has corroded one of the Monoliths that keep the Gastrea away from the Tokyo Area & it’s only days before it collapses, meaning that all the mutations can destroy the city. So, we have a Ticking Clock scenario yet one that plays out well for the most part.

Rentaro has an X number of days to assemble a team in order to be part of the Civil Security fighting force. Which doesn’t make much sense in a way, because they never explain why they need group teams & not the usual partnerships in the fight. Rentaro & Tina (who is now partnered with Kisara) are rejected by almost everyone that they ask, which is again strange because Rentaro has a serious rep within the Civil Security community now, but means that he can approach those whom he trusts the most. Unfortunately this is few people, so he only managed to recruit one pair who are old friends of his & Kisara & Tina join, much to Rentaro’s objections over her poor health. They eventually find another member in the form of a former student of Kisara’s family martial arts school & senpai to Rentaro (but Rentaro addresses him as nii-san or elder brother).

Parallel to this, Rentaro has taken it upon himself to become a teacher for a group of Cursed Children who live in the ruins of old Tokyo but the Gastrea attack on the Monolith has brought public tensions to the boil. Many normal humans see the Cursed Children as the cause of the Gastrea virus rather than it’s victims. So there are more violence against the Cursed Children, represented by a blind beggar girl whose mother burnt out her eyes rather than look at the accursed red of them. This all comes to ahead when, before the big battle, someone bombs the school group that Rentaro teaches, killing all of the girls who had just come to trust him & have faith that they will have a future. Naturally, this causes huge grief for both Enju & Rentaro but steels their resolve to win the battle so that they can prove that the World is worth saving.

Another aside to this is Kisara’s investigation into how a Gastrea could corrupt the Monolith, which all leads back to the overarching meta-plot of her family’s schemes.

After the first big battle, Rentaro’s team disobeys orders in order to prevent a surprise Gastrea attack but are blamed for the deaths of other Security Officers -including the leader’s son, who turned chicken shit at the last minute. In order for everyone to save face for everyone, Rentaro has to go off on own to destroy a mysterious Gastrea that protects the huge monster that controls all of the other Gastrea in the area. After being attacked by wolf-like Gastrea, Rentaro is saved by Kagetane, who has returned from the dead, & his daughter Kohina, who still wants to fight Enju. Kagetane is still obsessed with getting Rentaro to see his point over view: that humanity is doomed & only enhanced superhumans like them & the Cursed Children will survive (ignoring the fact that the Cursed Children never survive into adulthood). Yet Rentaro is determined to stick to his Hero of Bitter Justice routine, so Hiruko father & daughter stick with the stubborn lad in his mission. Together they defeat what they have to defeat & return to find the Civil Security Agents slaughtered & their stupid selfish leader killed (yay!), which means Rentaro is in charge. He takes on the persona of a ruthless commander willing to cut anyone down who stands in his way but this is merely an affect in order to hold the broken survivors together. In the end they win the day but with very heavy losses, both numeral & personal, as well as being betrayed by political figures with petty grudges (namely Seitenshi’s bodyguards looking to see Rentaro killed no matter the overall cost).

The unexpected coda to the overarching plot is Kisara getting revenge on one of the people who caused the death of her parents as well as being responsible for the disaster with the Monolith’s collapse. This shows her damaged psyche & how far she is willing to go, chiding Rentaro for being unable to punish evil because he has Batman-like boundries.

This was a very good series, despite the lolis & hypersexualisation of the adult characters but it does deal with some very dark themes & images.

Mainly extreme violence being perpetrated against very young girls.

This is an exceptionally bloody series; with dismemberments & blood fountains being par for the course. The fact that it’s performed on young girls does make it more disturbing; more so when it’s also dealing with the idea of suicide rather than become corrupted by the viral evil that is within their bodies.

Like any good dystopian narrative, Black Bullet has a very bleak outlook but edged with hope that if one fights on things can be made better, no matter the sacrifices made. It also talks a lot about love & hope. The reason that the girls, mainly Enju & Tina, are so passionately devoted to Rentaro -declaring their intentions to marry him- isn’t about the sexualisation of children (even though that sickening does happen in the series) but is more about their hope for the future. In that they may become adults & find true love; with marriage being the greatest representation of love & the bond between two people.

Yeah, I won't make a gangbang joke here.
Yeah, I won’t make a gangbang joke here.

In the end, this is a heavy series with more than a few issues -both in terms of imagery & plot coherence- but it is something that I do recommend if you like dystopian sci-fi with over the top action & violence. It won’t be for everyone & there are plenty to make most uncomfortable it does stand high upon the mundanity that plagued the previous anime season.

Black_Bullet_Anime_Promotional_Poster

Not sure whether to be joyous or offended – Anime Critique: No Game No Life

no-game-no-life_oTitle: No Game No Life (NGNL, Noge Nora)
Format: TV series
Genre: fantasy, satire/parody, comedy, ecchi
Series Creator: Yu Kamiya
Series Director: Atsuko Ishizuka
Studio: Madhouse
Series length: 12 episodes
Original Airing dates: April 9, 2014 – June 25, 2014
Reviewed format: high def download with fansubs

 

 


Synopsis:

“Siblings Sora and Shiro are inseparable, both in the real world and in the game world. Their individual skills combined make them an invincible team: Sora, with his astute intuition and penetrating insight; and Shiro, with her remarkable intellect that goes beyond prodigy-level genius. In the real world, they are hikikomori, reclusive and unsocial, but in the game world, the siblings together form [ ] (Blank), a mysterious group of undefeated online gamers who win every game they play with unbeatable scores. Because the account names of the players are always left empty, they become simply known as “Blank”. One fateful day, after beating a mysterious challenger in a game of online chess, the siblings receive an offer from their opponent to be reborn in his world, Disboard – a fantasy world where everything is determined by games. When they accept the proposal, Sora and Shiro are summoned to Disboard by that world’s God, Tet, who they discover to also be their former opponent. Together, Sora and Shiro begin their journey in redeeming the weak human race of Imanity and conquering the world to challenge Tet for his title of One True God.


Review:

There is a bad habit in many subcultures to lap up any mention from more mainstream forms -be it positive or negative- as well as lose one’s mind whenever a reference to something that we adore/worship/participate in is shown or mentioned within various media. Often such flashes are negatory in one’s favour yet one does love to have one’s passions & existence acknowledged by greater beings, do we not?

Visual media also loves throwing in as many references & acknowledgements as they can be they intentional or craftily snuck in & we consumers do love our little Easter egg hunts? Go on. Admit it. You look for them all of the time. As both a challenge & as a way to prove yourself superior in some petty fashion. There is no shame in such a thing –we all do it, after all.

Yet this is probably why, in the end, I felt myself a little ambivalent towards No Game No Life.

Because it praised us nerds, geeks & gamers with one hand -showing us as clever, resourceful & deep down well meaning people- & mocked us with the other -displaying us as socially dysfunctional perverts who cannot cope within a game in our hand or a pair of tits to stare all.

It attempts to pander too much to both sides, showering kudos & contempt equally.

Yet, it is not entirely without its merits.

Some reviewers have already praised it highly, even calling it “a must watch for any gamer” yet, as I said as a few lines above, it reeks to I more of pandering then any genuine affection for its greatest audience & consumers. Gamers & the socially inept have always been fair play for ridicule in media but at least NGNL attempts to be even handed.
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This is done through the stepsiblings, Sora & Shiro -who are collectively known in the gaming & online worlds as Blank. The undefeatable team who can destroy even the most skilful hacker or cheater with seamingly the greatest of ease. That is because they believe themselves to be a single unit, with super genesis Shiro masters games like chess & FPSs & all that comes with such intelligent or tactical games whilst the older sibling Sora uses his masterful understanding of people to use bluff, cheat or know when others are cheating. But they are both broken by their talents, scorned & ridiculed by their peers, so they locked themselves up in their room to play games all day. That is before the god Tet takes them from our world to the land of Disboard, where games rule & murder can never be committed.
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This is actually an interesting conceit because it establishes that Disboard is defined by 10 Commandments set forth by Tet that can’t be broken yet can be subverted. Such as the rule about cheating, where it doesn’t say you can’t cheat, just that you have to face the consequences if you’re caught doing it & it can proven. The Commandments hold everything in check & about Blank to push their plans forward by exploiting & obeying the rules as well as learning how others do the same.

Yet the trouble with this is that when they try to explain the rules for a wager or game & they flash by too fast or are stuck in a bunch of untranslated text (or the text is translated but that translation fucks with your video player something chronic!). It’s annoying that rules that are pretty bloody vital to the plot are rushed by; possibly so you don’t see any holes them or so you don’t try to guess how Blank will win.

My other major issue with the series is. . . Can you guess? Can ya? Can Ya? CAN YA?!

YEEEEEEEEEEEEEES! IT’S HYYYYYYYYYYYYYYYYYYYPERSEEEEEEEEEEEEXUALIIIIIIIIIISAAAAAATION!!!

This time perving on a fucking 11 year old (Shiro, who isn’t actually fucking but I can never go past a chance to swear. . . prick).

I honestly don’t mind that she’s rendered painfully cute, with a mouth too small & eyes too big even for anime standards but there must ALWAYS be a line drawn when you draw an 11 year old semi-naked (& fingers should be broken for drawing a naked 8 year old with a fluffy tail!). All the major female characters other than the one time antagonist Clammy are hypersexualised & the reason Clammy isn’t is because she’s mocked for having no breasts & using magic to make it seem otherwise during on of the many bath scenes.

Both Shiro & Sora share a perverted natured, as does the violent angel (Flügel) Jebril. Their usual victim is Steph, the granddaughter of the former king of all Imanity (Disboard’s name for humans) who is depicted as clever in terms of running the day to day functions of a kingdom but terrible at games, losing to Clammy before Blank take the crown away from her. The sight of Shiro wearing Steph’s panties on her head whilst making her act like a dog is monstrously disturbing, more so because Shiro acts so cute & innocent most of the time.
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I could beat the Hate Drum a bit longer, but I won’t.

Visually, this series is stunning. Incredible use of light, colour & fantasy settings as well as interesting (yet hypersexualised) designs on many of the characters. Because there are 16 races (equal to pieces on a chessboard), they each have to have very individual designs & they do stand out well. The elves are generic with blonde hair & pointed ears but the Flügel with their wings & halos are pretty awesome; whilst the werebeasts are your standard anthro-beings, which is played up for laughs with Sora -the virgin- wanting to conquer them so he can have a harem of cat & bunny girls.

The relationship between Shiro & Sora is also exceptionally well rendered. With each having absolute faith in the other & going catatonic if they are out of visual range for too long (which is actually genuinely funny). They also back each other up in games & contests when the other is lacking & transfer this knowledge to real life activities -such as running a country based on pacifist route in Civilisation. Even when they are backed into a corner by an opponent, they always rely on & trust each other utterly; drawing upon that the strength to win.
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The series also ends on a vexing note of noncompletion story-wise. Just leaves things open to a possible sequel series, which I’m not sure has been announced (unlike other 12 episode series from this season).

Despite how much this series gives with one hand & takes with the other, it was genuinely entertaining & fairly original in its story. There were some exceptionally clever bits as well as well done reference gags (even more than a few quick obscure ones). It is designed for nerds & gamers, especially in its sexual pandering, but it still mocks the culture that supports it. If you can forgive it that trait, you will probably take a lot of joy in the Easter Egg hunts as well as the clever solutions to the games through the series. Although if you enjoy the sexualisation of Shiro & Izuna, I’ve got a couple of bricks that I want to introduce you to!

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2nd verse, worst then the 1st! – Anime Critique: DATE A LIVE II

Title: DATE A LIVE II Format: TV anime Genre: harem, sci-fi, fantasy, comedy, ecchi Series Creator: Koshi Tachibana Series Director: Keitaro Motonaga Studio: Production IMS Series length: 10 episodes Original Airing dates: April 11 to June 13, 2014 Reviewed format: high def download with fansubs


Synopsis:

Thirty years ago a strange phenomenon called a “spacequake” devastated the center of Eurasia, claiming the lives of at least 150 million people. Since then, smaller spacequakes plague the world on an irregular basis. Shido Itsuka, a seemingly ordinary high schooler comes across a mysterious girl at the ground zero of a spacequake and learns from his sister Kotori she is one of the “Spirits” who are the real cause of the spacequakes that occur when they manifest themselves in the world. He also learns that Kotori is the commander of the airship Fraxinus, crewed by the organization Ratatoskr, and is recruited to make use of his mysterious ability to seal the Spirits’ powers thus stopping them from being a threat to mankind. However, there is a catch: to seal a Spirit’s power, he must make her fall in love with him and kiss him.


Review:

Sarcastic w00t! Checklist time again! Play along at home if you want, children!

  •     One male protagonist with hidden power? Check!
  •     Also slightly perverted? Check!
  •     Redeems himself by having a pure heart & protects his friends to the risk of his own life? Che. . .

Actually, screw the list, you can just read my last review.

Date A Live II is another series that I wondered why I bothered watching. Whilst I didn’t review the 1st series, it was decent enough for what it was -that is when it wasn’t objectifying the female characters & playing into adolescent male power/sex fantasies of having a hoard of strong women slavishly devoted to you for no obvious reason then you show a form of decency that is quickly seen as hypocriful (yes, that’s a word that I actually use). The 1st season had some decent jokes, minor interesting characters (such as the masochistic but exceptionally competent 2nd in command) & plot development (the mystery behind the Spirits as well as some of the human characters who were victims of the Spirits) as well as some decent satire on the whole harem & dating sim subgenres. The 2nd season misses all that & adds to all the annoying things that the 1st dig yet still strips everything in terms of plot, pacing & development out. It might be due to there only 10 episodes; everything feels rushed & underdeveloped -leaving you with a sense that you missed a big chunk of story that wasn’t even there in the first place. The central protagonist is still in charge of keeping Spirits such as Tohka & Yoshino in check through exploiting their affection & happiness, he is also tasked with capturing 3 new spirits. Twin/split spirits Kaguya & Yuzuru & aggressively faux-lesbo songstress Miku. At the same time he still fends off the yandere like advances Origami -who is still trying to kill Spirits out of revenge for killing her parents- as well as stop a plot by DEM Industries -who develop all of the anti-Spirit technology & want to turn Tohka evil for some unexplained reason.

What it does have in spades is utterly useless Fan Service, especially cleavage, bikini, maid outfits & bath scenes. But luckily the Loli character is spared such things (she barely appears in this season at all).

The series also carries over some annoying running gags from the 1st series, such as Shido’s female classmates Ai, Mei & Mii -who always complain about Shido’s relationships yet always screw things up for him. Plus, the only thing that the bespectacled Mii says is the word for “Gross”, which was OK when used in context but when it’s the only thing that she says no matter what, it becomes pathetic & annoying. Which is pretty much what the entire series becomes. Rushed yet drawn out, forced yet withholding, pretty yet ugly. So many visual & narrative conflicts, especially around the depictions of the characters. The new Spirit, Miku, suffers worse from this. Her power is to use her voice to control others to do her bidding & she despises all men because she was a human idol who refused to sleep with a TV producer, so her career was utterly trashed. Shido has to disguise himself as a woman in order to gain her confidence so he can seal her power -which is basically making girls fall in love with him so he can kiss them. The crossdressing & voice swap could’ve been used for some clever deconstruction of gender roles but it’s just used to turn Shido into the sexual plaything of the more dominant Miku -who uses women as her personal toys. With this deception Shido almost tricks her into sealing her powers but cracks when Miku goes on about how people are her dolls to use, leading into more pointless conflict, until he proves to her that he’s a good & noble man worth of her love.

The whole device of making women love him so they lose their powers & submit to him (& by extension the organisation that he is forced to work for) reeks of the pathetic Mens’ Rights Movement adage: “Woman are like vending machines. Keep using your kindness tokens until they put out a prize”. Mens’ Rights Movement members are scum & I think that the original author who came up with this conceit is scum as well. Yet I still watched the series, so what does that make me? (Like I want your answer, it’s just a hypothetical ponderance). I honestly can’t even get all that mad with this series, not after watching Seikoku no Dragonar -which utterly took the piss on the hypersexualisation front. What once made it semi-forgivable & interesting is lost in a muddled rush & over sexualised images. It’s not something I recommend nor would I recommend going back to the 1st series or watching the upcoming movie. Those ships have sailed & left in port a huge steaming pile of shite instead of decent entertainment. But, hey, sexual fantasies sell, so the franchise will keep going.date-a-live

“Then I’ll make my own series -with lolis & tentacles!” – Anime Critique: Seikoku no Dragonar

Seikoku_no_Dragonar_light_novel_vol_1Title: Seikoku no Dragonar (Dragonar Academy, The Star-Marked Dragonar)
Format: TV series
Genre: fantasy, ecchi, harem, action, hentai
Series Creator: Shiki Mizuchi
Series Director: Shunsuke Tada & Tomoyuki Kurokawa
Studio: C-Station
Series length: 12 episodes
Original Airing dates: April 5, 2014 – June 21, 2014
Reviewed format: high def download with fan subs


Synopsis:

“In a land of dragons, where citizens called breeders tame their dragon pals. Races of dragons are born from breeders who are given a Seikoku: a dragon star-shape brand.

Learning to ride and tame dragons comes easy to most students at Ansarivan Dragonar Academy—except for first-year student Ash Blake, who is known by his classmates as the “number one problem child.” Despite his unfashionably large star-shaped brand that marks him as a future dragon master, he has nothing to show for it. His dragon has never appeared. Until now, that is. One fateful day, Ash’s dragon awakes in full glory, but appears different than any dragon ever seen before—in the form of a beautiful girl! What’s more, Ash soon discovers that this new dragon has attitude to spare, as she promptly informs him that she is the master, and he, the servant. Ash’s problems with dragon riding have only just begun.”


Review:

When I wrote my review for Strike The Blood some time back, I had a check list that cited the genericness & cliche of that series, so here we shall repeat that list to see what Seikoku no Dragonar adds to the realm of anime (other than sweet fuck all!).

So, for the sake of repetition & making a point, here’s the list:

Does Seikoku no Dragonar have the following?:

  •     One male protagonist with hidden power? Check!
  •     Also slightly perverted? Check!
  •     Redeems himself by having a pure heart & protects his friends to the risk of his own life? Check!
  •     Tsundere style violent love interest? Check!
  •     Female characters as potential love rivals for the female protagonist? Check!
  •     Secret supernatural powers? Check!
  •     Plenty of useless fan-service? Once again: Check & motherfucking check!

So, what does Seikoku no Dragonar add?

Well, lolicon & tentacle rape. (SFW link)

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That’s pretty much it.

I despised this series so much.

Despised it for being cliche. Despised it for rewarding the male gaze every chance it got. Despised for pushing the hypersexualisation of female characters to new lows in a TV broadcast (although I think Kenzen Robo Daimidaler still holds that title, which is why I warned you all from watch it). Despised it for being everything wrong with modern Japanese media.

When the tentacle rape happened in such a blatant & disgusting way I honestly should have stopped watching it & wrote a rant about why it was despicable. Yet it was so like a car crash & I couldn’t turn away out of the dissonant belief that it couldn’t get any worse than it did.

Oh, how wrong I was, dear reader. As the tentacle rape & extreme hypersexualisation only got worse & worse as the series progressed. Every shot of the female characters was sexualised in same way. From the camera just staring at a pair of tits as their owner talked -their head out of shot- to how every female action is performed in a way that the camera pans up & down their bodies. How even if the female characters are powerful & empowered in their own right, they are still turned into nothing but a pile of meat for the eye to absorb. How during the attack of the tentacle rapey undead dragons (not a phrase I’d every thought I’d write yet anime does it to me again) all the women’s clothing was torn off yet the men remained dressed, despite being restrained in the same fashion. The two worse things were how they had the tentacles probe every part of the female anatomy whilst the victims gave off pleasured noises Actually even worse than that were the two loli characters & how they were brutally sexualised by the oft mentioned tentacles or spent the majority of their onscreen time either naked or in a state of general undress.

The non-female designs are also just plain ugly. Especially the dragons.

They all look the same (just like white people really) but are so brutally ungainly & clumsily designed it borders on the sickening. They don’t look in any way graceful or powerful, just lumps of scaled muscle with stubby wings & hideous heads. I suppose this is because they spent the majority of their animation budget on the female characters tits (or the lolis’ lumps).

Maybe I’m just a media sadomasochist who can’t crawl away from what he hates (see my rant on the Little Busters! series).

I should spend more time deconstructing the series, saying how badly rendered all the characters are, how cliched it is or how the relationships between the characters & their various overlapping backstories are formed but it’s all fucking meaningless when the series is so devoid of taste, charm or moderation.

I don’t recommend this series to anyone & if you like you are one sick sad fucker you needs serious help in the form of a knee right to your fucking jaw.

It’s also based upon a Light Novel series & I despise to think how close the anime is to that. The manga is worse in terms of hypersexualisation, so avoid that more.

Now have to scrub my skin with acid to get this series off me!

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The Kick That Never Came – Anime Critique: Isshuukan Friends

mpage001Title: Isshuukan Friends (One Week Friends)
Format: TV anime
Genre: slice of life, romance, drama, tragedy
Series Creator: Matcha Hazuki
Series Director: Tarou Iwasaki
Studio: Brain’s Base
Series length: 12 episodes
Original Airing dates:
Reviewed format: high def download with fan subs


 

Synopsis:

High schooler Yuki Hase notices that his classmate Kaori Fujimiya is always alone and seemingly has no friends. After approaching her and becoming acquainted, Kaori reveals that she loses every memory of her friends each Monday. Despite learning this, Yuki endeavors to become her new friend every week.


 

Review:

There is an old saying that goes “the worst kick is the one that never comes”.

The basic meaning of it is the more you dread something bad coming, a kick or other such physical assault if you will, the worse it will be in your mind than the actually reality of it because the fear & expectation has made you build up something far more torturous (more torturous than my allegories to be sure).

This is the pall that hangs over Isshuukan Friends.

The constant dread that you are going to be hit by something monumental emotionally painful yet, it never comes, making that dread all the more worse.

Although that might be my expectations from watching anime that delights in really kicking you in the guts once you think you’re going to be blessed with Sweetness & Light.

The reason you are waiting for this phantom kick is from the central conceit of the series, that being amnesia. A very old chestnut indeed in terms of media tropes -especially in Japan- yet within Isshuukan Friends it stems more from plot driven psychological & physical trauma then some mere need for a character to begin as a Blank Slate.

The major praise that one can give this series is that it attempts to handle such a fanciful contrivance as emotionally realistic as they can -without the central idea feeling too contrite or merely there to heighten the drama or emotional reactions from the audience.

Yet you do not come here to see praise painted upon the page, so I shall return to the (fairly bitchy) critiquing.

The plot of the series revolves around Hase Yuki’s relationship with Fujimiya Kaori, who is the quiet withdrawn girl in his class. He initially approaches her so to get to know her but she coldly rejects his offer for friendship. He is persistent in trying to get her to open up to him so it is soon revealed that Kaori loses her memories of people whom she considers friends every Monday when she wakes up -the exceptions being her family & people she is merely acquainted with. Despite this handicap, Hase persists in trying to become friends with Fujimiya, starting each week with the question “Will you be my friend?”

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When I 1st heard Hase vow that, I was worried it the story would turn fairly stalkery & possessive but it only turned mildly stalkery. Narratively, it is understandable that Hase gets jealous when the formerly cold & quiet Fujimiya starts to open up to others in their class -mainly through the intervention of ditzy pixie Saki, who wants the responsible Fujimiya to baby & look after her because she (Saki) has issues with her own memory (in that she is forgetful).

After watching the 1st couple of episodes, part of me wanted to hate this series -mainly because it kept refusing to go dark like I thought it would- but also because it is so awkwardly cutesy.

All the characters -but especially Fujimiya & Hase- looks as though they are sponsored by a rouge producing company (the makeup, not the D&D class, you bloody dyslexics). Always with red blush patches under their eyes.

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The general art syle & design is light & cutesy too. Skipping a lot of the more moé & sexualisation tropes. More focussing on a sweet kind of soft cute in the characters. In fact, unlike other series this season, there isn’t anything remotely close to a tit or panty shot. Some of the usual awkwardness after falling leaves characters in compromising positions but this is quickly glossed over with humour rather than used to demonstrate masculine dominance, reward the male gaze or a let a protagonist get a quick grope in.

Yet, despite the cutesy looks & lack of narrative darkness, the story is actually pretty good & emotionally mature. In that it’s people reacting to a difficult situation as well as failing to voice their concerns or wishes out of fear of misunderstanding or hurting those around them. So, it follows the standard forms of Japanese dramas, with the inability to communicate less it destroy consensus society as a whole.

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Nevertheless, Isshuukan Friends does handle a lot of the drama in a respectful & grownup fashion, even though it shows some weird relationship tropes. Such as Fujimiya making lunch for Hase everyday & only allowing him to talk to her outside of the class (such as on the roof at lunch) because she doesn’t want bad rumours to spread about him. That bullshit is stopped with Saki’s spoiltness meaning she just speaks to Fujimiya whenever she wants to & isn’t perturbed by her memory loss -Saki thinks its similar to her absent mindedness. Fujimiya & Hase also develop ways for Fujimiya to deal with her memory loss, such as getting her to keep a dairy so she can keep track of events & drama comes along in one episode when she accidentally loses her dairy as well as the poster on her reminding her to read it every Monday yet she lost it on a Friday, so found it odd she didn’t realise it was gone over the weekend when her memories were still intact.

Each episode follows a basic formula of a week in the life of our protagonists as they struggle to deal with Fujimiya’s ongoing condition, Hase’s feelings of helplessness & selfishness at the situation as well as interactions with other characters & Fujimiya slowly opening up to those around her & not being afraid to make friends. Some edges appear, when classmates believe that Fujimiya is dating Hase’s best friend, the cranky & taciturn Shogo, & say nasty things behind her back (yet within earshot); Hase has to also overcome his feelings of jealousy towards Shojo for becoming friends with Fujimiya & the chance of losing her.

True drama comes late in the series with the appearance of Fujimiya’s former childhood friend, Hajime, who moved to Hokkaido with his family at the same time as Fujimiya began to lose her memories. When her remembrance of him causes her memories to completely reset, so she forgets everything that she had build up until that point & Hase to almost abandon the friendship out of frustration. When that moment comes along, there is no longer an expectation of a kick or anything else apart from a quiet resolution. Tensions remain between the two protagonists for the last few episodes after Fujimiya starts to build herself back up to how she was before Hajime arrived but that’s mainly from everyone learning the cause of Fujimiya’s amnesia (stems from a form of bullying from her supposed friends at a young age) & Hase’s fear that he might cause it to happen again. But mostly the tension in the last few episodes comes from the fact that the protagonists -& anime characters in general- can never express their love without being pathetically awkward or borderline retarded.

In the end, this is a light teen drama that deals with a difficult issue in a mature & responsible way. It has some humour & cuteness but doesn’t kick you when you are down. Your response to it depends on how much you personally engage with the genre &/or subject. For my part, I found it enjoyable & a pleasant balm to the hypersexualisation of other series that I shall be writing about over the week (or just copy pasting random complaints about hypersexualisation in other series) but each to their own. I do hope that you, the reader, take the time to watch the series & take from it what you will.

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