Transformatively amusing – Gugure! Kokkuri-san

65665Title: Gugure! Kokkuri-san
Format: TV series
Genre: comedy, supernatural
Series Creator: Midori Endo
Series Director: Yoshimasa Hiraike
Studio: TMS Entertainment
Series length: 12 episodes
Original Airing dates: October 5 – December 21, 2014
Reviewed format: high def with fan subs


Synopsis:

Kohina Ichimatsu is an expressionless elementary school girl who lives alone, proclaims herself to be a doll, and eats nothing but instant noodles. One day, she plays the Kokkuri game by herself and summons the fox spirit Kokkuri-san who, upon seeing her unhealthy lifestyle, takes it upon himself to become her guardian and raise her properly. Thus starts Kohina’s new life of being haunted by various unique spirits.


Critique:

Once again, this year has proven that the best anime have been 4koma adaptations, such as Gekkan Shōjo Nozaki-kun, & now Gugure! Kokkuri-san stands a top the list of the best anime series of 2014.

The premise is simple but clever but also tricks you into thinking that it’s going to be worse -in terms of hypersexualisation & fan service- than it really is. Whilst it does rely on a bit of both, it actually twists it around a fair bit into very humorous scenarios. This is seen especially when the titular Kokkuri first appears, panting & flushed when accidentally summoned by Kohina. This is meant to make that think that Kokkuri is a stalking pervert who’s been waiting for the lonely Kohina to summon him so he can devour her, body & soul. Where, in fact, he’s been following her around because of her odd behaviour & habit of referring to herself as a doll, which turns him into her over-protective, yet doting, guardian, who only wants to correct her strangeness so she can have a happy life.
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Unfortunately, due to Kokkuri’s neat-freak & overly controlling nature, this means that he basically becomes a housewife -cooking every meal so Kohina won’t eat nothing but Cup Ramen & cleaning because Kohina doesn’t concern herself with looking after her huge yet strangely empty house.

Like all great 4koma adaptations, the humour is mainly derived from the various characters & their interactions with & reactions to each other. Kokkuri & Kohina more up the core of the series, with much of the perspective being from their point of view, but the ensemble cast is also utterly brilliant -even if they do bring in many of them late in the series.

The other great strength of the 4kmoa format is quick fire & running gags, which Gugure! Kokkuri-san does exceptionally well by being able to hark back to a joke in an earlier episode without making it seem like it’s just telling the same joke again & again like other (mainly American series) tend to do.

The one problem in talking about the jokes themselves & what makes so them funny &/or clever is that it’s like a child dissecting a frog: you don’t really learn anything & the frog dies.

What does make the jokes work however is how they are tailored or based around the various personality quirks & habits of the various characters, with the narrator often adding a little stinging tail to it all at the end.

Such as with the titular Kokkuri, who as mentioned before acts like an overprotective guardian and housewife but he is also exceptionally vain, demanding & prone to hysterics when overwhelmed by various situations or other characters. This often means that other characters, such as the sadistic Inugami, go out of their way to torment Kokkuri over his appearance (such as looking older) or getting him so worked up that his temper explodes & or he goes into an emotional melt down.

The other strong running gag in the series is Kohina’s claims that she’s not human but rather a doll. She talks in a semi-staccato almost robotic tone (another running gag is her getting dolls & robots confused & Kokkuri having to point it out). She is also incapable of smiling; whenever she tries to force a smile her face collapses, terrifying everyone around her. Only when something genuinely makes her happy -such as Kokkuri assuring her that he’ll always be by her side- is she able to show genuine emotion & her depiction changes from a stripped down semi-chibi form to a beautifully animated character.
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Kohina’s other running gag is her utter addiction to Cup Ramen (the instant noodles that you cook in the bowl-like container by pouring hot water into it); doing anything in order to collect rare types or eat them without Kokkuri finding out. This usually means some mischievous on her part, such as goading one of the others in the house into distracting Kokkuri. Her desire to eat & obtain Cup Ramen shows a certain moral flexibility on her part but she’s a good girl deep down.

The most interesting aspect of the series though the gender fluidity of the characters. That is: how some of the characters can switch their genders at will. This is one of Inugami’s primary traits, since he/she’s a dog spirit who can’t remember their own gender when they died, so even though he primary has a male form, he changes to a female one whenever the mood takes him. Kokkuri, also being a spirit, has this ability but refuses to use it because he’s a pretty woman who’s good at housework, everyone wants to marry him. Unfortunately, he’s transformed into a woman because of a spell he found in Kohina’s family store house (one basically designed to mess with people). The humour of this situation is that they keep asking him how it feels to be a woman but he still retains his vanity from his male form, so he sticks with is usual beautification routines, but it also explores some ideas of male-female interactions & emotions.

The fem-Kokkuri that laughed a million hentai comics
The fem-Kokkuri that laughed a million hentai comics

There are also random side characters that are constantly drawn to Kohina & Kokkuri’s life. Which include the aforementioned gender-swapping sadistic dog spirit Inugami -who is utterly devoted to Kohina after a single act of kindness during his original life as an abandoned puppy; yet he’ll destroy or torment all who aren’t Kohina, especially Kokkuri who thinks Inugami is a demented pervert trying to seduce a child. They are joined by the shiftless tanuki (racoon dog) spirit Shigaraki, a NEET who was Kokkuri’s former roommate who is after a free place to live -targeting Kohina because she owned a large house but was unaware that Kokkuri already was living there. Shigaraki has a habit of bringing bad luck to houses he dwells in but this is actually from his stealing money to go gambling with, yet he has a soft side, as he often uses his winning to support the orphanage where the children of the homes he destroyed ended up. More whacky characters enter the mix later in the show, such as the doll obsessed cat spirit Tama who keeps stalking & trying to steal Kohina because she believes her to be a possessed doll.

Whilst this show is incredibly funny there are a few let downs & annoyances. Aside from a bit of random fan service, which isn’t so bad compared to other shows, you don’t get any sense of Kohina’s personal history or backstory. Especially she’s living all alone in such a huge house & why she wants to believe that she’s a doll so she doesn’t have to engage in normal human interaction. This is vexing because even if you have Kokkuri’s reasons for wanting to look after Kohina, you don’t know how/why she’s abandoned in the 1st place, which means that you’re still at a distance with the character. The ending is also left open, so there is no resolution for the characters & backstories outside of a token effort to conclude things.

After those few negatives, I’d like to end with one other great positive & that’s how cute the entire series is. Each of the animal spirits has a chibi animal form, with Kokkuri turning into a fluffy golden fox & Inugami turning into a tiny wittle purple dog in a suit! So Kawaiiiiiiiiiiiiiiiiiiii!!!!

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At any rate, even if I can’t really talk about the jokes, I can strongly recommend this series as something that is painfully funny to watch as well as being very clever in it’s visual gags. It’s a great series to watch if you are feeling low & just want to see something utterly silly to cheer you up.

fafuru fafuru!!!
fafuru fafuru!!!
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The All Singing, All Dancing Lesbian Troop – Anime Critique: Hanayamata

8b4d6a16fc4574fefd0438507a3030651402376724_fullTitle: Hanayamata
Format: TV series
Genre: slice of life, comedy, Girl’s Love
Series Creator: Sou Hamayumiba
Series Director: Atsuko Ishizuka
Studio: Madhouse
Series length: 12 episodes
Original Airing dates: July 7 – September 22, 2014
Reviewed format: high def download with fan subs


Synopsis:

Naru Sekiya is an ordinary 14-year old girl who likes fairy tales, but is worried about her lack of other interests. She has a chance encounter with a “fairy”, a foreign girl practicing dance at night. On a spur of the moment, Naru asks to join her and is introduced to the world of yosakoi dancing.


Review:

Hanayamata fits nicely into the Cute Girls Doing Cute Things subgenre, not dissimilar to the aforereviewed Gochuumon wa Usagi Desu ka from last season. The general gist of it is a group of early teenaged girls getting together in order to have fun, gain confidence & strengthen their bonds of friendship. I mentioned lesbians in the title because this series leans towards to the Girl’s Love (similar to Yuri but lacking the sexual side of things). Outside of paternal figures, there is an absence of males within series. & the girls show blushing cute attraction to each other that leans more towards extreme/deep friendship attraction than Sapphicism.

Also, unlike the aforementioned Gochuumon wa Usagi Desu, Hanayamata is less a situational based series than a driven narrative-based story.

The general thrust of the series is the shy Naru, who hides from everything & would rather lose herself in her fairytales, finding someone & something to give her the passion & confidence to face reality. Naru finds this through her encounter with the pixie-esque foreign girl, Hana N. Fountainstand, whom Naru initially mistakes for a fairy wanting to take her to a magical kingdom.

Hana is a pretty typical Weeaboo, who is obsessed with all things Japanese to the point that she wishes to reshape her entire cultural identity. Her primary focus is on Yosakoi, because she witnessed a dance trope when she was a little girl visiting Japan. Hana’s goal is to start a Yosakoi club at her new school & she has chosen Naru to be the first member.

The kawaii! It burns!
The kawaii! It burns!

Naturally, Naru’s painful shyness & extreme lack of confidence means that she refuses but Hana’s persistence & overall adorability means that Naru eventually offers to help set up the club. In order to do this, they need more members -who are often driven away by Hana’s over-eagerness- a supervising teacher & to get passed the very strict Student Council President, Machi. This driving arc is combined with the other protagonists: Naru’s overprotective & slightly self-centred friend Yaya & the epitome of Japanese feminine grace, Tami -whom Naru views as a big sister & princess-like figure. They both strive to find their own passions & dreams in the face of others trying to control their lives or people unwilling to push themselves to take that final step to break through the barriers before them. Machi finds herself in a similar position, wishing to overcome her sister-complex; a sister how just happens to be Sari (AKA Sally-sensei), the Yosakoi club supervisor -who only took on the role because of the pressure that Hana applied to her through begging.

Super excited Loli set to execute snuggle-attack,
Super excited Loli set to execute snuggle-attack,

Each character has to overcome their personal struggles in order to gain confidence. This is central to the construction of Naru, who thinks of herself as weak & lost yet it does not ring entirely true with her. Her emotional weakness & crippling lack of confidence seems to stem more from perceptions of social pressures & her indulgence in escapism rather than face reality. These unto themselves are hardly original ideas for media to explore but in the case of Naru they seem contradictory. That is because she claims to have no physical strength or coordination yet from the outset we are told that she’s practiced Iaido from a young age, having gained a high proficiency in the art from her father, who runs a dojo from their home. I found it strange that these martial art didn’t confer any ability to Naru’s confidence & dance motions but that may lie more in the schismatic nature of her personality then within her actual flesh.

The Tsundere exposed.
The Tsundere exposed.

With Naru occupying the space of the pitiable stalwart looking to overcome their own feelings of inadequacy, it’s up to the other girls to fill the other roles. Yaya is the typical tsundere who wants to be the centre of attention, especially from Naru, & is a little jealous that her friend has finally found something outside of her admiration for & reliance upon Yaya herself. Tami wants to be the epitome of the perfect woman, in order to gain her father’s approval but she also is shown to be a little ditzy & mischievous, looking to break the role that she’s forced herself into. & Machi wants to escape from the shadow of her once successful sister & conquer the feelings of abandonment that stem from her relations with Sally-sensei as well as the academic pressures that her hospital running parents are putting her through now that Sally-sensei has abandoned the role of heir to their tiny medical empire.

Whilst, so many other shows this season, Hanayamata is exceptionally beautiful look at. With its bloom & shimmering use of colours & well rendered action sequences -especially the dance choreography for both the girls & the passing troops. Yet, as a whole, it’s a series not without its faults.
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My main criticism of the series that its aimed at boosting Japanese consumer & cultural confidence, but once again showing a foreigner entirely obsessed with an aspect of Japanese culture/history that they are willing to move & reshape their entire personal identity in order to conform to their perceptions of what it means to be Japanese. Hana fundamentally exists (at least in the anime) to push a form of Japanese superiorism, reinforcing the belief that Japan is the superordinate in terms of its ongoing cultural practices.

The other negative in my point of view is how they push the emotional drama side of things. Bringing out the tears & ramping up the reacting, coupled with some irritating voice acting at times. It isn’t a deal breaker but it detracts from the sweetness of the comedy & the beauty of the anime. Especially the expressions & the reaction shots. There is some mild sexualisation & fan service but that at least palls when faced with the drama & comedy.

Everyone has a goal. Some girls have goals to get boobies.
Everyone has a goal. Some girls have goals to get boobies.

Overall, this is a worth addition to the “Cute Girls Doing Cute Things”. It’s fun, it’s fluffy & silly but also deep & touching when it has to (but not in the yuri sense). Whilst it does have some negative, all the good that it does completely outweighs my basic (& typical) complaints. There are plenty of kawaii moments as well as other random comedic moments -such as with Yosakoi supply store owner Ofuna Masaru, who looks like a stereotypical Yakuza but is passionate about Yosakoi & helping the girls.

If you can get passed some of the minor irritations, you’re sure to enjoy this series. It’s a good balm to some of the bloody & hypersexualised offering this past season. It’s all about what you can achieve if you have self-belief & friends by your side to support you. More so if you push yourself in order to support them so you can find your own strength to face the harshness of reality.

hanayamata-girls

Cute Girls & Caffeine – Anime Critique: Gochuumon wa Usagi Desu ka

61255Title: Gochuumon wa Usagi Desu ka (Is The Order A Rabbit?)
Format: TV anime
Genre: comedy, slice of life
Series Creator: Koi
Series Director: Hiroyuki Hashimoto
Studio: White Fox
Series length: 12 episodes
Original Airing dates: April 10, 2014 – June 26, 2014
Reviewed format: high def download with fan subs


Synopsis:

Cocoa Hoto moves into a new town to attend school. There, she begins living with Chino Kafuu at her family’s Rabbit House café, working as a waitress to pay for her accommodation.


Review:

One of my secret pleasures in anime is the genre nicknamed “cute girls/people doing cute things” 4koma adaptation. It pretty much started when I watched Azumanga Daioh a few years back & continues with Acchi Kocchi (my 1st review here), onto series like Yuyushiki & Seitokai Yakuindomo up to this current review. I think it’s the punchiness of the jokes when translated from the 4koma style, meaning that you pack a lot of humour into a short space. When combined with cuteness, it’s a winning formula in my book.

Unfortunately, Gochuumon wa Usagi Desu ka doesn’t pack an awful lot of jokes in when compared to other series & most of them are based upon the Japanese reaction style (straight man paired with joker, can’t remember the name for it right now) but it still is uber cute.

Mainly because of the bunnies running around but also because of the girls.

& by cute girls I mean the kawaii fashion than any form of sexual or romantic attraction. There is a big difference, even though some of the characters are sexualised (such as underwear & swimwear scenes as well as emphasising Rize’s chest at certain points).

The construction of the female characters is the real draw for the series, because the defy the clichéd roles set forth for them.

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All of their names are puns on coffee, tea or other hot drinks that you find at a café. Cocoa is the daydreaming ditz who is obsessed with being Chino’s (whom she is staying with for an education exchange) big sister (onee-san) role model yet is surprisingly clever at her studies & an excellent baker. Rize is the daughter of a high ranking military man & military-otaku but still loves to be a girly-girl, combining war-lust with modelling & other things. Chiya, whose family runs a rival Japanese tea & sweets café, like Cocoa, seems like a bit of an airhead but is clever with language & telling terrifying stories. Her neighbour & best friend is Sharo, whom everyone assumes is a rich girl because she goes to the privileged private girls’ school but is in fact a scholarship student who is terrified of her poverty being found out by the others. Leaving Chino, who is the day to day head barista at the Rabbit House café (which doesn’t have any rabbits in it aside from Tippy), who has tsundere-like tendencies but is actually just very shy & not well adjusted socially outside of a café environment.

Each episode is pretty much broken into two parts, with slightly interconnecting stories or running gags but mostly they are isolated. The humour isn’t as rapid fire as Seitokai Yakuindomo or as painfully cute as Acchi Kocchi, it’s still a sweet & very funny series brought together by the kawaii interactions of the cast.

Really not much more that I can say about other then if you like your kawaii anime, you’ll love to add this to your list (but only after you’ve watched Acchi Kocchi. Go on! Do it now! NOW!).

gochuumon wa usagi desu ka episode 2 subtitle indonesia

Yuri To the Left of Me, Yuri To The Right -Anime Review: Sakura Trick

SakuratrickcoverTitle: Sakura Trick
Format: TV anime
Genre: Yuri, slice of life, comedy, 4koma adaptation
Series Creator: Tachi
Series Director: Ken’ichi Ishikura
Studio: Studio Deen
Series length: 12 episodes
Original Airing dates: January 9, 2014 – March 27, 2014
Reviewed format: TV download with fan subs

 

 

 

 


Synopsis:

“Haruka Takayama and Yuu Sonoda were inseparable during middle school, but upon entering high school, they end up being seated on opposite sides of the classroom. Having to spend time with more friends, the two decide to make their relationship special by kissing each other in secret.”


Review:

This series has already become some people’s favourite anime of the last season but I still have to say: “SQUEEEEEEEEEEEE! LOOK AT THE KOOOTE WITTLE LESBIANS! AREN’T THEY SO KOOOOOOOOOOOTE!!!

Yes, the two major themes of this 4koma adaptation is Yuri (lesbians) & cute little jokes.

To begin, without sardonicism, I utterly enjoyed this series.

I really do have a soft spot for 4koma adaptations (see my Acchi Kocchi review) & Sakura Trick does fit the fast paced formula very well.

But yes, it is a whole lesbo thing but that is not why I watched it.

I am general a fan of some Yuri stuff because, unlike Yaoi or Bara, Yuri tends to have more equality & romance between the parties involved & it is romance that lies at the heart of Sakura Trick. & unlike so many other romantic series, this one starts with the romance side, so we don’t get all that awkward, annoying tension that you find in so many other series.

The premise is very basic, two friends don’t want to see their friendship turn to nothing as they grow apart, so they decide to do something special to mark their importance to each other. That is: kiss. Though both Haruka & Yuu know that isn’t a very acceptable thing to be seen doing, so they keep it secret from those around them.
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This is where the comedy is generate, as the girls try to show their affection for each other or get flustered when they feel that the other has gone too far -such as Yuu kissing Huraka’s hands & knees because Haruka was lying face down on her desk. It is genuinely cute & is almost asexual in a way.

To explain: I asked a young lesbian friend of mine to watch it & she said that it was odd that all they did was kiss. She said that it really bothered her because if they were more realistic that’d feel more compelled to be doing other things to each other. It is off that no other bodily needs entered into it, even though they often deep kissed. It is all very innocent, without talk of masturbation or sexual acts. Just the purity of love shown through the simple act of kissing.
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This doesn’t bother me at all because it so avoids all the needless awkwardness & embarrassment that features so strongly in any other anime when they bring up kissing. Haruka & Yuu are very open with each other, even if they are pretty ignorant of their own deeper feelings. It feels natural in a way & not constrained by the usual annoyances of trope or social stigma.

In fact, the characters are so cute & well rendered -which is so often the strength of 4koma adaptations.

Haruka is often clingy & needy for affection, as well as easily jealous if Yuu pays attention to someone else -such as a classmate or her older sister Mitsuki but has some strong maternal traits & cares deeply for others (plus has the largest breasts in the cast, which is a recurring gag as the girls try to guess her size). While Yuu is often shown as being a little spoilt (often by the overly doting Haruka), lazy, ditzy & terrible in her studies but is often aggressive for affection from Haruka & easily jealous if she feels as though she’s been left behind. Their roles often switch in terms of whose dominant & whose demanding as they explore their feelings for each other & their friends -all of whom are rendered, in terms of character, beautifully & deeply.

To add to the drama is the fact that their school is closing & they will be the last year to graduate. This means that they don’t have the budget for big events, like the sports & cultural festivals, which puts stress upon Yuu’s sister Mitsuki, who is both a 3rd year & the president of the student council.
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Mitsuki also plays an important role in the narrative, as she tries to find out the truth behind her sister’s relationship with Haruka, as well as come to terms with her own conflicted feelings for Haruka. That is pretty much the basis for the humour of Mitsuki’s scenes, where she misreads situations & goes off into delusional imaginings of being with Haruka.

Basically: everyone in the cast is a little Yuri.

But the notion of innocent love & affection is what makes the series so enjoyable. There is no “will they/won’t they” of the romance, it’s all about them realising that they truly do love each other & reaching that point.

Of course, there is a bit of Fan Service, such as Haruka’s jiggling & the constantly kissing but it’s not the exploitative type. It’s played with affection & for laughs rather than feeling lingering & very creepy (see Nobunagun review).

In the end, this is a very light hearted, fluffy non-brain uber-kawaii comedy.

There is no real drama in it, just lots of very good & cute jokes. Each episode is split into two halves, each focussing on a different mini-story. The humour is fast paced & colourful, the characters are cleverly made & the romance is sweet without being sickly. The majority of the jokes are based around misunderstanding but they don’t bring out that painful feeling to watch like with other series (see my Strike The Blood review).

I give it two thumbs up -much like Haruka will give Yuu when their relationship gets more serious.

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So Cute It Hurts – Anime Critique: Acchi Kocchi

Title: Acchi Kocchi (Atchi Kotchi, Here & There, All Over the Place, Place To Place)
Format: Anime
Genre: Slice of Life Comedy, 4koma, romantic comedy
Series Creator: Ishiki
Series Director: Oizaki Fumitoshi
Studio: AIC (licenced by Sentai Filmworks)
Original Airing dates: April 5 – June 28, 2012
Reviewed format: blu-ray with fansubs

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Synopsis:

    “The serious-minded Io & the pure-hearted Tsumiki feel they never want to be parted, but haven’t become a couple yet. More than friends but less than lovers, they develop an awkward quasi-romance.

Review:

To begin, I must plead utter bias because this is one of my all time favourite anime series ever made. I’ve seen it four times since it first screened & cannot sing its praises enough to people. It was a series that instantly appealed to me because of my love for other similar series, such as 2002’s Azumanga Daioh & the K-On! Franchise. Both of which also started from the 4koma manga format (4 panel strip style comics).

The series focuses on a group of five friends -Tsumiki, Io, Mayoi, Sakaki & Hime- & their strange daily lives but this isn’t a show present in a realistic way. The art style is very much exaggerated, to emphasis the cuteness (moe & kawaii) of the characters & situations, with Tsumiki being presented with cat-like features -sprouting ears & a tail- to show her hidden emotions or Hime’s suddenly nosebleeds. The comedy is based a lot upon quick puns & the interactions of the characters, focussing especially on Tsumiki & Io.

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    Tsumiki is classified as a tsundere style of character -outwardly cold to hide her loving feelings- & the object of her affections is the kindly but often dense Io, who treats her in a friendly manner even though she wants more from him. Her inability to communicate her desires combined with Io’s failings to read deeper into situations leads to teasing down by the manic genius Mayoi & the mischievous Sakaki, who often receive physical retribution from Tsumiki for their efforts. She often gets into awkward situations trying to get Io’s attention or accidentally playing out something that she imagines but her feelings are genuine, as she just tries to be close to him, even if it causes their friends to tease them in a friendly way.

The other source of humour comes from well timed & placed running gags -such as Hime suffering from nosebleeds whenever she sees the psuedo-romantic interactions of Tsumiki & Io or whenever she sees something cute (such as Tsumiki in a costume or Io’s playing with a cat). Other running gags come from Io accidentally charming the female cast, often resulting in wide spread nosebleeds & fainting, or acts of (comically done) superhuman violence, often performed on Mayoi. The humour is designed to be fast paced but seldom going over the audience’s head (issues with translation & subtitle speeds not withstanding).

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    Other than the animation/art style, what truly makes this anime sweet & well done is how excellently all the characters are rendered. You know who they are quickly without them falling into tropes & cliches. Tsumiki is a loli-like tsundere without being rendered in such forms as other, more stereotyped characters like Louise from The Familiar of Zero or Aria from Aria the Scarlet Ammo. She often has cat-like features sprout on her & is rendered in a chibi fashion but is superhumanly strong & fast.
Io initially appears as your typical studious type, with his neat appearance & glasses, but shows many hidden physical skills & other talents -such as being an excellent pastry & sweets chef, skilful gamer & (unknowingly) charming to people whom he meets.
His best friend, Sakaki, is laid back but still sharp, able to pinpoint when Io is at his most dense in regards to Tsumiki’s affections. Whilst Mayoi, who is always seen in her trademark labcoat, is depicted as a trouble making airhead but is, in fact, a mechanic genius, able to create elaborate devices in short periods of time. Leaving Hime as a super average girl, who has trouble with technology & cannot perform the same superhuman feats as her friends, but has a sweet, caring soul which can be easily distracted by anything cute, causing a jet of blood to burst from her nose.
They are surrounded by an equally well depicted supporting cast, which includes Sakaki’s older sister, Miiko, who has floppy dog-like ears drawn in her hair & runs the cakeshop Hachi Pochi, where Hime & Io work party time, & carries dog themes through it.

The series ran for twelve episodes with an OVA released with the blu-ray collection & each episode is divided into two parts, A & B, with a special omake, called Acchi Kindergarten, at the end of each episode that also doubles as the next episode trailer (which is scrolling script along the bottom of the screen). Each scene or segment has special animations based around circles & arrows linking each other, which also serves to enhance the jokes or the running gags. The series, as a whole, covers the course of a year, starting & ending in winter & covering events such as Valentine’s Day & White Day (featured twice in the series), summer holidays as well as Christmas & New Years celebrations, with each episode being self-contained in each half but still continuing with gags & references from episodes that came before.

When comparing the anime series with the original manga, it is one of the few series that becomes superior to its original printed form. In Ishiki’s original 4-koma manga, the illustrations of the characters are exceptionally well rendered, often looking odd & amateurish, where as the anime gives them better forms & far more details -especially in Tsumiki’s cat-like actions. The manga has far more developed jokes & running gags, from which the anime only tends to use from the 1st volume (there 5 volumes published & the series is still ongoing), so I find it surprising that there still has not been a 2nd series with the amount of unused material that they have available.

Another exceptional part of the series is the incidental music by Yokoyama Masaru. It’s subtle and minimalist, using electronic (almost 16 bit) keys & instruments such as clarinets & acoustic guitars yet has its high energy moments when the scene calls for it. They are the kind of tunes that you can easily find yourself humming & they don’t overpower any scenes. Both the Opening & Ending themes are sung by the main cast saiyu.

There are only a few negatives that I can give this series & they are almost all to do with the subtitling & translations. I originally watched the TV broadcasts with the subs done by the Commie group but their lack of honourifics & explanations is exceptionally grating to me. The blu-ray was subbed by a different group but they had issues in regards to panels covering the between scene animations as well as the on screen text. The lack of closure on character relationship was also a vexing issue but excusable because of the ongoing manga. It is also my fervent wish that they make a 2nd series or movie but that is unfortunately unlikely at this point in time -despite its apparent popularity within Japan.

In quick regards to issues of Soft Power, this series is a god example of its possible positive uses because it doesn’t render the series as ‘culturally odourless’ & does retain many tropes, habits & visuals that can be called very Japanese. It does go through many of the cliched forms with the holidays & traditions but calls many of them to question, such as White Day, where men return the favour of receiving a gift from a woman on Valentine’s Day. Over all it plays to trope & cultural expectations within the media but doesn’t let itself be dominated by them. It also, surprisingly, lacks many other typical elements of the genre, such as references to the supernatural (such as ghost stories, even though it talks about fortune telling) or pandering to fan service. The female characters are cute but not sexualised, playing more upon the original form of moe. Most of the sexualisation is actually played upon Io’s character, with the female characters performing the traditional male reaction of bleeding noses & overheating from their desires.

Again, this is a series that I cannot recommend enough. It is so sweet & cute that it cannot help but make me smile whilst watching it. The rapid fire gags & strong visual jokes literally brought tears to my eyes but the undercurrent of the bourgeoning sense of a mature romance between Tsumiki & Io is portrayed in such a fashion that you can’t help but feel for them both. Especially as the dense Io begins to understand his own feelings. Unfortunately due to the manga still continuing, that part of the story was never drawn to a proper conclusion but it is forgivable due to the sweetness of the characters & the series as a whole. Acchi Kocchi is guaranteed to leave a painfully sweet smile on face & have you giggling ages later as you randomly recall a joke or visual gag. This is a series that I cannot get enough off & constantly find myself looking to rewatch when I want to take a break from other viewing. It may be too saccharine for some but it is perfect for me & that, in the end, is what counts.