Happy Nerd Year for 2015

Digital Fusion TIFF File

As 2014 draws to an end, I have to thank my regular readers for taking the time to go over this random corner of the geek-net. As well as thank all the random readers & spambots who up my page count & search rank -you’re doing Cthulhu‘s work.

Next year I plan (but may not deliver) on expanding this blog to cover things like Trading Card Games, interviews fairly well known online people -such as webcomic artists/creators, receiving input from other contributors as well as adding some animated video blogs (if the animator comes through). As well as actually writing more literal, manga, comic & television reviews & articles like I had originally promised that I would do.

I should also rank some of the best & worse anime of the year (since that’s my focus).

The best series of the year is without a doubt KILL la KILL because it was so original, twisted & fun to watch. It came out of nowhere, challenged so many assumptions & tropes & held your attention for the entire 24 episode span with twist after bizarre twist. If the DVDs weren’t only 4 episodes were pack, I’d be buying them to rewatch again.

KilllakillpromoOther notable titles of the year include the yet to be reviewed Gugure! Kokkuri-san because of how funny it is, Akame ga Kiru! because of the delicate balance that it strikes, Tokyo Ghoul because of it’s originality & brutality & Gekkan Shōjo Nozaki-kun because it was just fucking funny & completely original.

There are a few honour mentions too but am too lazy to make a list.

The worse anime of the year: well, there can only be one winner of that & it is Seikoku no Dragonar.

No other series that I personally watched (meaning there might have been others that I didn’t see) was as disgusting or pathetic as this series. The thought of it still sickens me but not as much as the fact that there is a dedicated fan base for such awful shite!

There were other series this year backed with disgusting or objectionable content but Seikoku no Dragonar was the one that struck me as the utter worst. I listed the reasons why in the review & I really don’t want to revisit that trauma.

I hope that next year’s anime doesn’t stoop to such levels but I am afeared that things can & will get worse in that stake.

At any rate, 2014 is drawing to a close as I type.

I’m genuinely looking forward to what 2015 will bring in terms of anime/manga/light novels, books, films, comics & all kinds of geeky sundries. there is already a lot to look forward to & sure to be more than a surprises on the way.

So, I wish everyone a Happy Nerd Year for 2015 & for everyone to have a joyous & hangover free time if you’re partying it up.

tamayay

Surprise of the Season – Anime Review: KILL la KILL

Title: KILL la KILL
Format: TV anime
Genre: sci-fi, parody, comedy, ecchi, action
Series Creator:  Hiroyuki Imaishi
Series Director:  Hiroyuki Imaishi
Studio: Trigger
Series length: 24 episodes
Original Airing dates: 3/10/2013-27/3/2014
Reviewed format: download with subs
Killlakillpromo

Synopsis:

“Set at Honnouji Academy a fictional high school in Tokyo Bay set in Japan that is dominated by its fearsome student council, led by Satsuki Kiryuin. The council members wear special uniforms called Goku Uniforms that grant them superhuman abilities, which they use to oppress the rest of the school’s students and staff. Ryuko Matoi, a student wielding half of a scissor-shaped longsword, transfers to Honnouji Academy in search of the owner of the other half of the scissor blade, the person who killed her father, Isshin Matoi. Defeated by the council after interrogating Satsuki over the killer’s identity and whereabouts, Ryuko comes across a sentient sailor uniform she names Senketsu, who puts himself on Ryuko. Using Senketsu’s special abilities, Ryuko stands up against Satsuki and her henchmen, the Elite Four, to liberate Honnouji Academy from their iron grip and solve the mystery of her father’s murder. She befriends fellow student Mako Mankanshoku and lives with her family in the slums surrounding the academy.”

WARNING: A fair few spoilers to come!

To say that KILL la KILL was the surprise anime of the last two season is a massive understate.

Despite all of its flaws (which shall be addressed later) was an incredible stand out amongst many very good (& some very mediocre & beyond terrible) anime series from the past 24+ weeks. It was constantly engaging, witty, silly & appropriately dark when needed. Like Tengen Toppa Gurren Lagann before it, KILL la KILL parodied established genres & tropes exceptionally well but, unfortunately, does overstep the boundaries a bit -especially in regards to sexual tropes & imagery.

The plot is genitals out batshit insanity to the point that if you tried to describe it to someone who has no idea about anime, they’d walk away vowing never to watch any Japanese media.

The basis of it is: typical angry heroine Matoi Ryuko goes to the strange Honnouji Accademy to find who murdered her father, only to be confronted by the extreme weirdness of the students wearing Goku Uniforms, which grants them super human abilities. The academy is ruled over by the tyrannical Kiryuin Satsuki & her Four Devas (also translated at the Elite Four), who wish to use it as a staging ground to take over other school in Japan. After attempting to challenge Satsuki & being defeated, Ryuko returns to her ruined home & discovers the sentient God Robe Senketsu, who grants who super powers in exchange for drinking some of her blood. Now armed with a weapon to take on Satsuki, the Devas & the empowered students of Honnouji, Ryuko & her new best friend Mako seek to find the truth behind her father’s death as well as stomp as many heads in as she can. Only to find herself beaten & manipulated at every point along her journey.

That’s the start of it but it goes well twisted beyond that point.

The real & utter strength of this series is the fact that no matter how batshit insane the plot gets, it still keeps you utterly hooked through its humour, plot twists &, especially, its characters.
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Ryuko is your typical action hero, angry at the world so she lashes out before thinking, but she goes through a lot of character development during her arc -coming to terms with who & what she is. Similarly, Satsuki begins like your typical arch-villain, found of posing & pronouncing but she has a lot of depth to both her character & motivation to het background. Because of how my brain works, I guessed one of the major plot twists very early but it still didn’t ruin any of the reveal. One reason for that is because even if the protangonist & antagonist do seem very stock, they are surrounded by crazy & interesting side characters.

Mako is Ryuko’s self appointed best friend (& possible love interest) who is always at her side. She is also utterly (intelligence wise) stupid & prone to spouting bizarre inspirational monologues along with equally bizarre physical gestures. Yet her utter stupidity, randomness & inability to be shaken by anything that she sees is what makes her so awesome to watch. She is the ultimate wild card whenever Ryoku finds herself on the ropes or despairing over another lose to Satsuki’s forces & plans. Reality has hold on Mako & that means that she can do almost anything to help support Ryuko in her battles.

The Four Devas also have a huge amount of depth to them, going beyond mere minion status to full characters.
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They are each given time on screen to develop, especially Gamagoori Ira (Disciplinary Committee), by showing how they first came to serve under Satsuki (whom they all refer to as Satsuki-sama). They also seriously beat Ryuko over the course of the 1st half of the series, which subverts so much of the normalcy of anime narrative. They are never shown as true villains & stay true to their own personal goals whilst still loyally serving Satsuki. There are no usurpers in the wings or overly caricatured characters but there is a hell of a lot of parody on many conventions of character creations as well as very clever subversions of trope.

And then in the 2nd half of the series (eps 13-24) it truly goes insane as it is revealed that the true enemy of all humanity are living clothing called Life Fibres & that Senketsu was created for Ryuko (along with her special Life Fibre severing scissors) so she could successfully battle them. Also that the organisation known as Nudist Beach (they are all actually naked) was created by Ryuko’s father in order to help destroy the Life Fibres & save the world.

At that point, all attempts at logic & sanity are shattered -especially with the introduction of Satsuki’s mother, Ragyo, and her twisted pixie-like assistant, Nui. Who are the ones behind the Life Fibres & part of the reason that Ryuko is able to bond with Senketsu.

Unfortunately it is that bonding it is that bonding process that draws my ire & almost stopped me watching early on.

That is because the transformation is so hyper sexualised  (especially the Box Shot [won’t explain, watch the vid in the link]). The costume is intentionally revealing & plays into Ryoku’s character development but I still felt as though it was a huge step backwards for what could’ve been something more interesting &/or inventive. I know the how transformation is a parody of the old Magical Girl transformation but it still irks me for some reason.

At some point, pretty much every character is sexualised in some way (especially some of the men) but it still feels cheap. At least they actually play it straight for the most part & when they draw attention to it, they do it for the sake of parody & comedy (such as Mikisugi’s magic glowing nipples).

Everything in this series is turned up to the proverbial 11 (again, if you don’t get the reference you are way to young or a bit thick), especially the sexualisation of the body & the violence (blood flies everywhere in weird ways), which is both a positive & negative. Positive: adds to the parody levels well. Negative: a lot of people are too mentally ill-equipped to know that it’s a parody.

Yet despite all this excess & hyper-ness (or because of it) I utter adore this series. It has its fault but they can be overlooked because of all the great things that is does well.

Also a quick mention of the soundtrack. That is another thing that works really well. Especially the character leit motifs (the songs that play when characters appear or do an action). Many of the people who worked on the music also worked on Attack On Titan’s OST but they sound poles apart. My favourite track from the series is the transformation theme Until My Body Is Dry: https://www.youtube.com/watch?v=rNo0EhDhpBE

Basically, when it boils down to it, the extreme originality & oddness of KILL la KILL is the main reason that you watch it. It does to the Action & Magical Girl genres what Gurren Lagann did to the mecha genre (only better in my view).

It’s fun, it’s stupid, it’s (literally) genitals out insanity & you’ll kick yourself for not enjoying it.