Article: Why I stopped watching Cross Ange

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Cross Ange: Tenshi to Ryuu no Rondo is probably one of the most controversial anime series of recent seasons & one that more than a few readers have called on me to comment upon (mainly asking why I haven’t condemned it like I did Kenzen Robo Daimidaler).

The 1st few episodes of the series is all about extreme dehumanisation through violence, degradation, sexual assault & humiliation & turning a joy-filled girl into a terrified non-entity & eventually an effective killing machine.

This is all done through the worst forms of visual denigration seen outside of BDSM hentai media. In that basically the titular heroine, Ange, is beaten, stripped, abused, molested, pseudo-raped, near (lesbian raped), degraded, deprived & humiliated until all that remains of the once happy is mistrustful sociopath who is only looking to survive & get revenge on all those who destroyed who she once was.

The reason that I didn’t condemn this series like I previously (& briefly) did with the aforementioned Kenzen Robo Daimidaler) is that all the degradation has a narrative context. It exists for a purpose outside of the titillation of the (majority male) audience. That does not mean that I liked or approved of it but I understood why such acts were within the story. I did not forgive or tolerate Cross Ange for that, more like I endured it. I put up with all the nasty Fan Service & brutality because it seemed to be leading to a point of character & narrative development & had shown that dehumanisation within context shows how terribly people can be transformed &/or destroyed.

And then the series committed the Cardinal Sin of entertainment: it bored me.

At some point, all the development suddenly stopped & Ange was stuck as this angry, untrustful, violent creature who constantly had Tusk (the male love interest) constantly falling into her crotch for comic effect or otherwise getting sexually entangled with her. The Fan Service (in the form of revealing clothes, hinted nudity & lesbianism) dragged on & got worse & the plot just got itself tangled up after they began to (finally) reveal what’s going on within the narrative universe.

This is actually the least extreme example of Fan Service that I could find
This is actually the least extreme example of Fan Service that I could find

The basic conceit of the series is that humans live in a Utopia where “The Light of Mana” fuels everything & grants people magical abilities. There is no war or poverty but it all comes at a price. For within society there are women who can’t use The Light of Mana, called Norma (taken from the word ‘normal’) & there very touch actively destroys any magical field. They are scapegoated by the rest of society, degraded & hated as being violent creatures who wish to destroy the world. So as soon as they are found, they are taken from their families & removed from the world. Naturally, Ange (formerly Angelise), being the ruling princess hates them, so is in denial when it’s revealed that she’s secretly a Norma & her parents have been keeping that fact a secret from not only the kingdom but from Ange herself.

After her father is deposed for hiding the secret & her mother is killed trying to protect her, Ange is taken to the Norma prison, where she is molested, sexually assaulted & humiliated by the commanding officer of the Normas & told that she must fight the DRAGONS or die.

All the Normas are put into transforming mecha units to fight dragon-like creatures, for which they get a bounty for each confirmed killed to use on whatever they want to buy within the prison. Having never committed an act of violence before, Ange is terrified of being thrown into such a situation & her cowardice costs her team several lives. Being humiliated & isolated by the other Norma girls, Ange rebuilds herself as a vicious killer in order to humiliate those who humiliated her & eventually gain her revenge.

This character arc changes after a few episodes, when Ange begins to accept that she’s a Norma & that Normas aren’t as she was taught growing up. Being a Norma is a self-fulfilling prophecy, in that they can only become violent & anti-social because that’s what society turns them into. They are the weapons in a war that the rest of humanity is completely unaware of & one that means they can keep using their precious Mana-imbued powers.

Once they start revealing the nature of the Norma, the history of the world & the truth behind the DRAGON attacks, things start to get muddled & vexing in a form.

You’re presented with all this info as to why you’re meant to see how the dehumanisation of the Norma occurred but Ange remains a basically unlikeable & selfish character that you find it hard to support her when all of her actions are contradicting others & she keeps denying information presented to her even when the facts are to her benefit.

That becomes the problem when dealing with a narrative around dehumanisation.

It’s exceptionally easy to break a person down but it’s next to impossible to rebuild them again from that point.

I feel that’s the major problem with Ange as a character and with the series as a whole.

After spending the 1st half dozen episodes ripping Ange apart -mentally & physically- they don’t really try to rebuild her as anything other than angry & mistrustful.

I didn’t want her to return to normal, not being any mental, emotional or physical scars -because trauma is inescapable- but I did want to see her develop into someone who takes their pain, their scars & their hatred & channels into into a positive force for others.

Maybe it does go that way, I won’t know because I lost any & all engagement with it around episode 16, when they crossed over into the ‘real’ world & the truth of the DRAGONS was revealed.

From this point on, I could bang on & on about the extremeness of the hypersexualisation within the series or how the Fan Service was so blatant that it became numbing but that would be pointless. That dead horse has been flogged so long it’s not a bloody pulp beneath my mighty boots (guessing no one will get those references).

I might come back to this when they release the blu-ray version but unlike considering the back catalogue I still have to watch (over 2 terabytes on computer & dozens of DVDs/BDs).

So, lessons to take from this: dehumanisation is OK if it has narrative context & purpose & isn’t glorified in any way, shape or form; don’t bore the audience or they won’t go with you to the conclusion.

Oh, & don’t bother messaging me with your butthurt over how I didn’t like this series when I did or how you feel that it’s nothing like I depicted with the dehumanisation & so forth because I will ignore you. If you try to defend your masturbation material in the series like others have with other series I dislike, I will insult you until I get bored.

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Yuri To the Left of Me, Yuri To The Right -Anime Review: Sakura Trick

SakuratrickcoverTitle: Sakura Trick
Format: TV anime
Genre: Yuri, slice of life, comedy, 4koma adaptation
Series Creator: Tachi
Series Director: Ken’ichi Ishikura
Studio: Studio Deen
Series length: 12 episodes
Original Airing dates: January 9, 2014 – March 27, 2014
Reviewed format: TV download with fan subs

 

 

 

 


Synopsis:

“Haruka Takayama and Yuu Sonoda were inseparable during middle school, but upon entering high school, they end up being seated on opposite sides of the classroom. Having to spend time with more friends, the two decide to make their relationship special by kissing each other in secret.”


Review:

This series has already become some people’s favourite anime of the last season but I still have to say: “SQUEEEEEEEEEEEE! LOOK AT THE KOOOTE WITTLE LESBIANS! AREN’T THEY SO KOOOOOOOOOOOTE!!!

Yes, the two major themes of this 4koma adaptation is Yuri (lesbians) & cute little jokes.

To begin, without sardonicism, I utterly enjoyed this series.

I really do have a soft spot for 4koma adaptations (see my Acchi Kocchi review) & Sakura Trick does fit the fast paced formula very well.

But yes, it is a whole lesbo thing but that is not why I watched it.

I am general a fan of some Yuri stuff because, unlike Yaoi or Bara, Yuri tends to have more equality & romance between the parties involved & it is romance that lies at the heart of Sakura Trick. & unlike so many other romantic series, this one starts with the romance side, so we don’t get all that awkward, annoying tension that you find in so many other series.

The premise is very basic, two friends don’t want to see their friendship turn to nothing as they grow apart, so they decide to do something special to mark their importance to each other. That is: kiss. Though both Haruka & Yuu know that isn’t a very acceptable thing to be seen doing, so they keep it secret from those around them.
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This is where the comedy is generate, as the girls try to show their affection for each other or get flustered when they feel that the other has gone too far -such as Yuu kissing Huraka’s hands & knees because Haruka was lying face down on her desk. It is genuinely cute & is almost asexual in a way.

To explain: I asked a young lesbian friend of mine to watch it & she said that it was odd that all they did was kiss. She said that it really bothered her because if they were more realistic that’d feel more compelled to be doing other things to each other. It is off that no other bodily needs entered into it, even though they often deep kissed. It is all very innocent, without talk of masturbation or sexual acts. Just the purity of love shown through the simple act of kissing.
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This doesn’t bother me at all because it so avoids all the needless awkwardness & embarrassment that features so strongly in any other anime when they bring up kissing. Haruka & Yuu are very open with each other, even if they are pretty ignorant of their own deeper feelings. It feels natural in a way & not constrained by the usual annoyances of trope or social stigma.

In fact, the characters are so cute & well rendered -which is so often the strength of 4koma adaptations.

Haruka is often clingy & needy for affection, as well as easily jealous if Yuu pays attention to someone else -such as a classmate or her older sister Mitsuki but has some strong maternal traits & cares deeply for others (plus has the largest breasts in the cast, which is a recurring gag as the girls try to guess her size). While Yuu is often shown as being a little spoilt (often by the overly doting Haruka), lazy, ditzy & terrible in her studies but is often aggressive for affection from Haruka & easily jealous if she feels as though she’s been left behind. Their roles often switch in terms of whose dominant & whose demanding as they explore their feelings for each other & their friends -all of whom are rendered, in terms of character, beautifully & deeply.

To add to the drama is the fact that their school is closing & they will be the last year to graduate. This means that they don’t have the budget for big events, like the sports & cultural festivals, which puts stress upon Yuu’s sister Mitsuki, who is both a 3rd year & the president of the student council.
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Mitsuki also plays an important role in the narrative, as she tries to find out the truth behind her sister’s relationship with Haruka, as well as come to terms with her own conflicted feelings for Haruka. That is pretty much the basis for the humour of Mitsuki’s scenes, where she misreads situations & goes off into delusional imaginings of being with Haruka.

Basically: everyone in the cast is a little Yuri.

But the notion of innocent love & affection is what makes the series so enjoyable. There is no “will they/won’t they” of the romance, it’s all about them realising that they truly do love each other & reaching that point.

Of course, there is a bit of Fan Service, such as Haruka’s jiggling & the constantly kissing but it’s not the exploitative type. It’s played with affection & for laughs rather than feeling lingering & very creepy (see Nobunagun review).

In the end, this is a very light hearted, fluffy non-brain uber-kawaii comedy.

There is no real drama in it, just lots of very good & cute jokes. Each episode is split into two halves, each focussing on a different mini-story. The humour is fast paced & colourful, the characters are cleverly made & the romance is sweet without being sickly. The majority of the jokes are based around misunderstanding but they don’t bring out that painful feeling to watch like with other series (see my Strike The Blood review).

I give it two thumbs up -much like Haruka will give Yuu when their relationship gets more serious.

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