Lustful Lascivious Little Lolis – Anime Critique: Fate/kaleid liner Prisma Illya 2wei!

64175Title: Fate/kaleid liner Prisma Illya 2wei!
Format: TV anime
Genre: fantasy, magical girl, comedy, parody
Series Creator:  Hiroshi Hiroyama
Series Director: Shin Onuma
Studio: Silver Link
Series length: 10 episodes
Original Airing dates: July 9 – September 10, 2014
Reviewed format: High def download with fan subs


Synopsis:

Illyasviel von Einzbern is an ordinary elementary school student who becomes a magical girl when the magical Kaleidostick Ruby deems her a more suitable master than the sorceress, Rin Tosaka. Rin, who had been tasked by the wizard Zelretch to collect the seven Class Cards containing the spirits of Heroic Spirits from legend, finds that she is unable to change Ruby’s mind and must supervise Illya in completing the task of collecting the Class Cards. During Illya’s adventures, she receives a friend and rival in a girl named Miyu, the contracted master of the Kaleidostick Sapphire, which similarly abandoned its original master and Rin’s rival, Luvia Edelfelt.

After a series of battles, Illya and Miyu were able to collect all Cards and became good friends, while Rin and Luvia remained in Japan by the order of Zelretch. However, the appearance of Kuroe, a girl with a striking resemblance to Illya, soon complicates their lives as she attempts to eliminate Illya.


Review:

To begin with, it’s hard to criticise a series for (hyper) sexualisation when it’s a spin-off of an ecchi game/Visual Novel. Yet the original (& not terribly great) Fate/Stay Night anime wasn’t as sexualised as the Fate/kaleid liner Prisma Illya franchise is. What kicks F/klPI and its sequel series into low cheer is the hypersexualisation of lolis. I’ve already beat the drum over my extreme distaste for this with the previous season’s reviews but I just have to kick it again.

 PUTTING LITTLE GIRLS INTO SEXUAL POSITIONS, POSES, CLOTHING & VISUALISATIONS IS WRONG, DISGUSTING & PATHETIC! STOP PRODUCING PAEDOS & DEMAND FOR PAEDO RELATED MATERIAL, MEDIA INDUSTRY!

& don’t get on your high horses & say that it’s strictly a Japanese thing & we shouldn’t judge them too harshly for it. Have you seen Toddlers & Tiaras?! That shit makes you want to puke!

Anyway, anyway, the review, the review. . .

My general expression watching this series.
My general expression watching this series.

Fate/kaleid liner Prisma Illya 2wei! Is the direct sequel to last year’s loli-fest Magical Girl parody Type-Moon spin-off series, basically picking up right after the events of Fate/kaleid liner Prisma Illya. There are still many plot threads to address from the get go, such as Miyu’s true identity, but that is all put aside for the introduction of Kuroe (Clo in the fan-sub, short for clone) -Illya’s doppelganger who is an incarnation of the Archer Heroic Spirit (it all makes sense if you know the main Fate/Stay Night series & characters). At first, Kuroe wants to kill Illya so she can legitimise her own existence but, with props to the writers for this, it actually goes deeper than Kuroe merely being a doppelganger, being back connections to the original Holy Grail Wars from Fate/Stay Night & why that battle never occurred within the Fate/kaleird liner universe.

Type-Moon always interconnect their stories with transdimensional crossovers, with various characters having different connections or incarnations. It comes from their Visual Novel/video game origins to explain their multiple endings & how they can all be canon. F/klPI is deep within this but you don’t need a knowledge of the tie in series to watch it.

The other thing that F/klPI2 has in it is lots of underage lesbianism. Because in someone’s mind the only thing hotter than sexualisation underaged girls is making them perform homoerotic acts as well.

More of the yuri stuff is more connected with Miyu’s growing romantic attachment to Illya, her jealousy over little actions & wanting to connect more to her -not only as a fellow Magical Girl but also as a firned. Where it crosses the line is when Kuroe deep kisses the other female cast members to drain them of their mana so she can power herself (mana = life energy for her). Part of me things that I can ignore it because it’s played off for comic value (Illya’s friends angry at her because they think Kuroe is her) but when they show Kuroe really going for it on Miyu, I really had to fast forward.

If this gets you off, you're one sick twisted piece of shit!
If this gets you off, you’re one sick twisted piece of shit!

To be honest, the comedy stuff is what kept me watching (that & my pathetic addiction to knowing what happens in narratives & solving loose plot threads). They play off a lot of the comedy on altering or playing up certain character traits. Like Illya’s adoptive stepbrother’s ignorance of the women around him, Illya’s near yandere affection for him (especially in the face of Kuroe) & her extreme reactions to what her magical want Ruby makes her do.

The act of a extremely lustful loli.
The act of a extremely lustful loli.

To be honest: the majority of the plot is focussed on Illya trying to protect her everyday life. She likes being a Magical Girl but this series falls more into the Mahou Madoka style of making a Magical Girl’s life as brutal as fuck. The previous series dealt with the life/death struggle that people with power on a mission must endure, so this 2nd series falls more into the trope of protecting one’s everyday mundane life but also protecting those whom you love. This plays out in the last two episodes, where the brutally powerful character Bazett Fraga McRemitz is introduced & Illya realises what her real duty is. Fighting on despite being drastically underpowered.

Unfortunately, that whole plot point won’t be resolved until next year, when Part 2 of Fate/kaleid liner Prisma Illya 2wei! is released. Which is a bit of a pisser but they are supposedly combining it with plot elements of the ongoing 3rd manga series.

In the end, Fate/kaleid liner Prisma Illya 2wei! has its moments & its connections to the larger Type-Moon omniniverse is a nice hook but it pretty much is a series for paedos because of the extreme hyersexualisation in some scenes. If you have issue with that, well: Come At Me, Bro!

That being said: I will probably watch the 3rd series just to know how it all ends & the series overall connection to the Fate/Stay Night universe but part of me would rather just wait for the upcoming new Fate/Stay Night Unlimited Blade Works anime which is out later this year.

So, paedos & Type-Moon fans feel free to watch but the latter better not mix with the former less bad things happen.

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Surprise of the Season – Anime Review: KILL la KILL

Title: KILL la KILL
Format: TV anime
Genre: sci-fi, parody, comedy, ecchi, action
Series Creator:  Hiroyuki Imaishi
Series Director:  Hiroyuki Imaishi
Studio: Trigger
Series length: 24 episodes
Original Airing dates: 3/10/2013-27/3/2014
Reviewed format: download with subs
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Synopsis:

“Set at Honnouji Academy a fictional high school in Tokyo Bay set in Japan that is dominated by its fearsome student council, led by Satsuki Kiryuin. The council members wear special uniforms called Goku Uniforms that grant them superhuman abilities, which they use to oppress the rest of the school’s students and staff. Ryuko Matoi, a student wielding half of a scissor-shaped longsword, transfers to Honnouji Academy in search of the owner of the other half of the scissor blade, the person who killed her father, Isshin Matoi. Defeated by the council after interrogating Satsuki over the killer’s identity and whereabouts, Ryuko comes across a sentient sailor uniform she names Senketsu, who puts himself on Ryuko. Using Senketsu’s special abilities, Ryuko stands up against Satsuki and her henchmen, the Elite Four, to liberate Honnouji Academy from their iron grip and solve the mystery of her father’s murder. She befriends fellow student Mako Mankanshoku and lives with her family in the slums surrounding the academy.”

WARNING: A fair few spoilers to come!

To say that KILL la KILL was the surprise anime of the last two season is a massive understate.

Despite all of its flaws (which shall be addressed later) was an incredible stand out amongst many very good (& some very mediocre & beyond terrible) anime series from the past 24+ weeks. It was constantly engaging, witty, silly & appropriately dark when needed. Like Tengen Toppa Gurren Lagann before it, KILL la KILL parodied established genres & tropes exceptionally well but, unfortunately, does overstep the boundaries a bit -especially in regards to sexual tropes & imagery.

The plot is genitals out batshit insanity to the point that if you tried to describe it to someone who has no idea about anime, they’d walk away vowing never to watch any Japanese media.

The basis of it is: typical angry heroine Matoi Ryuko goes to the strange Honnouji Accademy to find who murdered her father, only to be confronted by the extreme weirdness of the students wearing Goku Uniforms, which grants them super human abilities. The academy is ruled over by the tyrannical Kiryuin Satsuki & her Four Devas (also translated at the Elite Four), who wish to use it as a staging ground to take over other school in Japan. After attempting to challenge Satsuki & being defeated, Ryuko returns to her ruined home & discovers the sentient God Robe Senketsu, who grants who super powers in exchange for drinking some of her blood. Now armed with a weapon to take on Satsuki, the Devas & the empowered students of Honnouji, Ryuko & her new best friend Mako seek to find the truth behind her father’s death as well as stomp as many heads in as she can. Only to find herself beaten & manipulated at every point along her journey.

That’s the start of it but it goes well twisted beyond that point.

The real & utter strength of this series is the fact that no matter how batshit insane the plot gets, it still keeps you utterly hooked through its humour, plot twists &, especially, its characters.
matoi-kill-la-kill
Ryuko is your typical action hero, angry at the world so she lashes out before thinking, but she goes through a lot of character development during her arc -coming to terms with who & what she is. Similarly, Satsuki begins like your typical arch-villain, found of posing & pronouncing but she has a lot of depth to both her character & motivation to het background. Because of how my brain works, I guessed one of the major plot twists very early but it still didn’t ruin any of the reveal. One reason for that is because even if the protangonist & antagonist do seem very stock, they are surrounded by crazy & interesting side characters.

Mako is Ryuko’s self appointed best friend (& possible love interest) who is always at her side. She is also utterly (intelligence wise) stupid & prone to spouting bizarre inspirational monologues along with equally bizarre physical gestures. Yet her utter stupidity, randomness & inability to be shaken by anything that she sees is what makes her so awesome to watch. She is the ultimate wild card whenever Ryoku finds herself on the ropes or despairing over another lose to Satsuki’s forces & plans. Reality has hold on Mako & that means that she can do almost anything to help support Ryuko in her battles.

The Four Devas also have a huge amount of depth to them, going beyond mere minion status to full characters.
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They are each given time on screen to develop, especially Gamagoori Ira (Disciplinary Committee), by showing how they first came to serve under Satsuki (whom they all refer to as Satsuki-sama). They also seriously beat Ryuko over the course of the 1st half of the series, which subverts so much of the normalcy of anime narrative. They are never shown as true villains & stay true to their own personal goals whilst still loyally serving Satsuki. There are no usurpers in the wings or overly caricatured characters but there is a hell of a lot of parody on many conventions of character creations as well as very clever subversions of trope.

And then in the 2nd half of the series (eps 13-24) it truly goes insane as it is revealed that the true enemy of all humanity are living clothing called Life Fibres & that Senketsu was created for Ryuko (along with her special Life Fibre severing scissors) so she could successfully battle them. Also that the organisation known as Nudist Beach (they are all actually naked) was created by Ryuko’s father in order to help destroy the Life Fibres & save the world.

At that point, all attempts at logic & sanity are shattered -especially with the introduction of Satsuki’s mother, Ragyo, and her twisted pixie-like assistant, Nui. Who are the ones behind the Life Fibres & part of the reason that Ryuko is able to bond with Senketsu.

Unfortunately it is that bonding it is that bonding process that draws my ire & almost stopped me watching early on.

That is because the transformation is so hyper sexualised  (especially the Box Shot [won’t explain, watch the vid in the link]). The costume is intentionally revealing & plays into Ryoku’s character development but I still felt as though it was a huge step backwards for what could’ve been something more interesting &/or inventive. I know the how transformation is a parody of the old Magical Girl transformation but it still irks me for some reason.

At some point, pretty much every character is sexualised in some way (especially some of the men) but it still feels cheap. At least they actually play it straight for the most part & when they draw attention to it, they do it for the sake of parody & comedy (such as Mikisugi’s magic glowing nipples).

Everything in this series is turned up to the proverbial 11 (again, if you don’t get the reference you are way to young or a bit thick), especially the sexualisation of the body & the violence (blood flies everywhere in weird ways), which is both a positive & negative. Positive: adds to the parody levels well. Negative: a lot of people are too mentally ill-equipped to know that it’s a parody.

Yet despite all this excess & hyper-ness (or because of it) I utter adore this series. It has its fault but they can be overlooked because of all the great things that is does well.

Also a quick mention of the soundtrack. That is another thing that works really well. Especially the character leit motifs (the songs that play when characters appear or do an action). Many of the people who worked on the music also worked on Attack On Titan’s OST but they sound poles apart. My favourite track from the series is the transformation theme Until My Body Is Dry: https://www.youtube.com/watch?v=rNo0EhDhpBE

Basically, when it boils down to it, the extreme originality & oddness of KILL la KILL is the main reason that you watch it. It does to the Action & Magical Girl genres what Gurren Lagann did to the mecha genre (only better in my view).

It’s fun, it’s stupid, it’s (literally) genitals out insanity & you’ll kick yourself for not enjoying it.